Musical References in Brucioli’s Dialogi and Their Classical and Medieval Antecedents

Abstract

Among the distinguished intellectuals of sixteenth-century Italy was Antonio Brucioli, renowned for participating in the gatherings in the garden of the Rucellai in Florence during the second decade of the sixteenth century. Since Delio Cantimori’s fundamental article and Giorgio Spini’s fundamental monograph, Brucioli’s Dialogi have been valued for the insight they afford into the discussions of the Rucellai group. Twice in the Dialogi Brucioli offers a revealing discussion of music. The references reflect intellectual traditions of great significance and longevity and afford valuable insight into the late-Renaissance reception of such venerable doctrines.

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