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Contribution a l'etude des preparations blanches des tableaux italiens sur bois
3 references·8 citing·36 second hop
Contribution a l'etude des preparations blanches des tableaux italiens sur bois (1992)Contribution a l'etude des preparations b…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA (1977)SOME IMPROVEMENTS IN TECHNIQU…Calcium Sulphate Minerals in the Grounds of Italian Paintings (1954)Calcium Sulphate Minerals in …Non-invasive X-ray investigations of medieval sculptures: New insights on “applied tin-relief brocade” technique (2020)Non-invasive X-ray investigat…Preparing the foundation for stable gilding: Baroque craftsmen's empirical understanding of gesso gilding grounds (2017)Preparing the foundation for …Gessoes in Portuguese Baroque gilding grounds, part 1: A study of historical documentary sources (2016)Gessoes in Portuguese Baroque…On The Grounds Of Post‐Byzantine Greek Icons (2015)On The Grounds Of Post‐Byzant…Characterization of calcium sulfate grounds and fillings of applied tin‐relief brocades by Raman spectroscopy, Fourier transform infrared spectroscopy, and scanning electron microscopy (2010)Characterization of calcium s…Thermal analysis for the characterisation of grounds used in works of art: preliminary results (2002)Thermal analysis for the char…Characterization of grounds used in canvas and sculpture (2002)Characterization of grounds u…External beam applications to painting materials (1993)External beam applications to…The materials and techniques of medieval painting (1956)An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)Raman microscopy of Greek icons: identification of unusual pigments (2003)On the blue and green pigments of post‐Byzantine Greek icons (2020)On the Red and Yellow Pigments of Post‐Byzantine Greek Icons* (2020)Scanning X-ray Fluorescence Data Analysis for the Identification of Byzantine Icons’ Materials, Techniques, and State of Preservation: A Case Study (2022)Cleaning Painted Surfaces: Aqueous Methods (2001)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Painting Materials: A Short Encyclopedia (2011)Virtual Archaeology of Altered Paintings: Multiscale Chemical Imaging Tools (2016)A combined SR-based Raman and InfraRed investigation of pigmenting matter used in wall paintings: The San Gennaro and San Gaudioso Catacombs (Naples, Italy) case (2018)Shedding light on the colours of medieval alabaster sculptures: Scientific analysis and digital reconstruction of their original polychromy (2018)Comparison between PIXE and XRF for applications in art and archaeology (1986)Control of temperature in thin samples during ion beam analysis (1986)Prehistoric cave painting PIXE analysis for the identification of paint “pots” (1992)Application of the external PIXE analysis to ancient Egyptian objects (1996)Non-destructive evaluation of glass corrosion states (1998)Analysis of ancient Indian silver punch-marked coins by external PIXE (2011)METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)Detection of Ovalbumin in Paint Media by Immunofluorescence (1989)Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders (2008)Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging (2008)On divers arts : the foremost medieval treatise on painting, glassmaking and metalwork (1979)Arte de la pintura: 10000 (1990)Revealing the Materials, Painting Techniques, and State of Preservation of a Heavily Altered Early 19th Century Greek Icon through MA-XRF (2023)Technical Studies in the Field of the Fine Arts (1977)Protein Determination in Polychromed Stone Sculptures, Stuccoes and Gesso Grounds (1994)Insights into the varnishes of historical musical instruments using synchrotron micro-analytical methods (2008)Material analyses of ‘Christ with singing and music-making Angels’, a late 15th-C panel painting attributed to Hans Memling and assistants: Part I. non-invasive in situ investigations (2011)The interpretation of documents and material culture. (1994)Handbook of qualitative research (2000)Pigment Compendium: A Dictionary of Historical Pigments (2007)Social Anthropology of Technology (1992)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)
this work references cited by second hop

References

  • 1979National Gallery Technical Bulletin346 cited
  • 1954Calcium Sulphate Minerals in the Grounds of Italian Paintings54 cited
  • 1977SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA53 cited

Cited by

  • 2015On The Grounds Of Post‐Byzantine Greek Icons22 cited
  • 2002Characterization of grounds used in canvas and sculpture22 cited
  • 1993External beam applications to painting materials22 cited
  • 2010Characterization of calcium sulfate grounds and fillings of applied tin‐relief brocades by Raman spectroscopy, Fourier transform infrared spectroscopy, and scanning electron microscopy19 cited
  • 2017Preparing the foundation for stable gilding: Baroque craftsmen's empirical understanding of gesso gilding grounds12 cited
  • 2016Gessoes in Portuguese Baroque gilding grounds, part 1: A study of historical documentary sources11 cited
  • 2002Thermal analysis for the characterisation of grounds used in works of art: preliminary results11 cited
  • 2020Non-invasive X-ray investigations of medieval sculptures: New insights on “applied tin-relief brocade” technique10 cited

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