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Richard Wagner: Theory and Theatre
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Cited by

  • 2010Music, Culture and Social Reform in the Age of Wagner148 cited
  • 2010Wagner's Ring Cycle and the Greeks105 cited
  • 2011Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production44 cited
  • 1997Elsa screams, or The birth of music drama15 cited
  • 2008Opera for Sale: Folksong, Sentimentality and the Market10 cited
  • 1995Der Jude im Dorn oder: Wie antisemitisch sind Die Meistersinger von Nürnberg?6 cited
  • 2009Friedrich Schlegel's Romanticization of Music5 cited
  • 1999Laughing at History: the third act of Meyerbeer'L'Africaine4 cited
  • 2003Neo-Riemannian Transformations and Prolongational Structures in Wagner's Parsifal3 cited
  • 2013Nietzsche, Tristan und Isolde, and the Analysis of Wagnerian Rhythm3 cited
  • 2005Undoing the Discourse of Fate: The Case of Der fliegende Hollander3 cited
  • 1995TheRingand the conditions of interpretation: Wagner's writing, 1848 to 18523 cited
  • 2010Wagner Studies and the ‘parallactic drift’2 cited
  • 2001Progress, modernity and the concept of an avant-garde2 cited

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