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Analysis of organic colouring and binding components in colour layer of art works

15 references·16 citing·49 second hop

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References

2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
2004Investigating the history of prehistoric glues by gas chromatography–mass spectrometry155 cited
2001Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript141 cited
1999High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles120 cited
2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden99 cited
2003Electrochemical analysis of natural solid organic dyes and pigments89 cited
2000Comparative pigment analysis of six modern Egyptian papyri and an authentic one of the 13th century BC by Raman microscopy and other techniques87 cited
2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
2004Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy66 cited
2003Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis59 cited
1998

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Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry

59 cited

2003Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy)55 cited

2003Identification of anthraquinone coloring matters in natural red dyestuffs by high performance liquid chromatography with ultraviolet and electrospray mass spectrometric detection54 cited

Cited by

2012Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples51 cited
2010Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy49 cited
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2020An easily transferable protocol for in-situ quasi-non-invasive analysis of protein binders in works of art44 cited
2016Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques42 cited
2011Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products42 cited
2009Application of peptide mass mapping on proteins in historical mortars39 cited
2013Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry38 cited
2006An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings38 cited
2013Proteomics applied to the authentication of fish glue: application to a 17th century artwork sample36 cited
2012The use of infrared and Raman microspectroscopy for identification of selected red organic dyes in model colour layers of works of art35 cited
2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques34 cited
2013Peptide mass mapping as an effective tool for historical mortar analysis32 cited
2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
2018A novel LC–MS method using collagen marker peptides for species identification of glue applicable to samples with multiple animal origins27 cited
2009Identification of protein binders in works of art by high-performance liquid chromatography–diode array detector analysis of their tryptic digests27 cited