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Cantopop
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Cantopop (2002)CantopopIntroduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context (2021)Introduction: Nomadism, Fragm…Cantonese‐English code‐switching in Cantopop television drama theme songs (2020)Cantonese‐English code‐switch…Trans-border televisual musicscape: Regionalizing reality TV I am a Singer in China and Hong Kong (2017)Trans-border televisual music…Hip-Hop Heteroglossia as Practice, Pleasure, and Public Pedagogy: Translanguaging in the lyrical poetics of “24 Herbs” in Hong Kong (2013)Hip-Hop Heteroglossia as Prac…Cover Versions in Hong Kong and Japan: Reflections on Music Authenticity (2012)Cover Versions in Hong Kong a…The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group (2011)The Bilingual Verbal Art of F…The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music (2009)The Subversive Sociocultural …A Cross-cultural Study of Preferences for Popular Music Among Hong Kong and Thailand Youths (2004)A Cross-cultural Study of Pre…5 Why Two Languages Might Be Better Than One: Motivations of Language Mixing in Hong Kong (1998)English as a Global Language and Education for Cosmopolitan Citizenship (2007)English in Hong Kong Cantopop: language choice, code‐switching and genre (2009)The Dialogic Imagination: Four Essays (1982)3.2. MARXISM AND LITERATURE (2006)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Transglossia: From Translanguaging to Transglossia (2017)Language and the mind: how language shapes our thinking (2023)Instagram and Language Use (2024)Anti-Oedipus: Capitalism and Schizophrenia. (1978)Club cultures: music, media and subcultural capital (1996)Club Cultures: Music, Media and Subcultural Capital (1997)We gotta get out of this place: popular conservatism and postmodern culture (1992)Creating Country Music (1997)An Introduction to Theories of Popular Culture (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)From ‘Kill This Love’ to ‘CueJi’s Love’: The Convergence of Queer, Feminist and Global TV Cultures in China (2023)Chinese Society in Thailand: An Analytical History (1958)Music and Language (1994)The importance of music to adolescents (2000)A Foreign Sound to Your Ear: The Influence of Bob Dylan's Music on American and German‐Speaking Fans (2009)Discourse Strategies (1982)Research Methods in Applied Linguistics (2021)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Post-Punk's attempt to democratise the music industry: the success and failure of Rough Trade (1997)Borders and Bordering (2006)Negotiating underground status through hybrid visibilities: WeChat event promotion in Shanghai music and performance scenes (2025)
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  • 2009The Subversive Sociocultural Meanings of Cantopop Electronic Dance Music19 cited
  • 2013Hip-Hop Heteroglossia as Practice, Pleasure, and Public Pedagogy: Translanguaging in the lyrical poetics of “24 Herbs” in Hong Kong17 cited
  • 2017Trans-border televisual musicscape: Regionalizing reality TV I am a Singer in China and Hong Kong10 cited
  • 2011The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group4 cited
  • 2004A Cross-cultural Study of Preferences for Popular Music Among Hong Kong and Thailand Youths4 cited
  • 2021Introduction: Nomadism, Fragmentation, and Marginality - The Hong Kong Music Underground in the East Asian Context3 cited
  • 2012Cover Versions in Hong Kong and Japan: Reflections on Music Authenticity3 cited
  • 2020Cantonese‐English code‐switching in Cantopop television drama theme songs2 cited

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