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A Monument of Byzantine Wall Painting: The Method of Construction
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A Monument of Byzantine Wall Painting: The Method of Construction (1958)A Monument of Byzantine Wall Painting: Th…Characterization of the Caput Mortuum purple hematite pigment and synthesis of a modern analogue (2020)Characterization of the Caput…A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)A pXRF In Situ Study of 16th–…Characterisation of early medieval frescoes by μ-PIXE, SEM and Raman spectroscopy (2004)Characterisation of early med…The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography (1991)The Identification of Blue Pi…Painting and Experience in Fifteenth Century Italy (1969)Painting and Experience in Fifteenth Century Italy. (1996)Painting Materials: A Short Encyclopedia (2011)False Color and Infrared Imaging for the Identification of Pigments in Paintings (2014)Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging (2017)A characterization of the palette of Rafał Hadziewicz (1803–1886) through the following techniques: Infrared false colour (IRFC), XRF, FTIR, RS and SEM-EDS (2018)Archeologia dei materiali da costruzione (2000)PIXE and μ-PIXE analysis of glazes from terracotta sculptures of the della Robbia workshop (2002)Study of the pigments in medieval polychrome architectural elements of “Veneto-Byzantine” style (2002)Seeing red: an analysis of archeological hematite in east central Missouri (2020)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)The invention of blue and purple pigments in ancient times (2006)Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy (2023)Colour and art: A brief history of pigments (2005)Preliminary Study of the Mural Paintings of Sotterra Church in Paola (Cosenza, Italy) (2022)
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  • 2020Characterization of the Caput Mortuum purple hematite pigment and synthesis of a modern analogue22 cited
  • 1991The Identification of Blue Pigments in Early Sienese Paintings by Color Infrared Photography21 cited
  • 2004Characterisation of early medieval frescoes by μ-PIXE, SEM and Raman spectroscopy21 cited
  • 2019A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)12 cited

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