“Can a Fellow Be a Villain All His Life?”:Oliver!, Fagin, and Performing Jewishness

Sharon Aronofsky Weltman

25 citations0/0 files storedNineteenth Century Contexts

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Theater, Performance, and Music History Musicology and Musical Analysis Shakespeare, Adaptation, and Literary Criticism

Abstract

The first time many people encounter the story of Oliver Twist is through the musical Oliver!, long before they read the novel or—more likely—see a different film or TV adaptation. Joe Litvak remar...

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 25 citations exist upstream.

References

2006A Theory of Adaptation 1989Desire and Domestic Fiction: A Political History of the Novel.1994Child-Loving: The Erotic Child and Victorian Culture.1995Walking the Victorian Streets 2000Dickens and the Daughter of the House 1992Caught in the Act 1997Walking the Victorian Streets: Women, Representation, and the City.2006Battered Woman Syndrome

Cited by

2018Domestic Melodrama 2018Gothic Melodrama 2018The Cambridge Companion to English Melodrama 2018Nautical Melodrama 2018Early English Melodrama 2018Melodrama and Class

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.