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Inversional Symmetry and Transpositional Combination in Bartok
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References

  • 1982Transformational Techniques in Atonal and Other Music Theories105 cited
  • 1961Twentieth-Century Harmony: Creative Aspects and Practice91 cited
  • 1977Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function"39 cited

Cited by

  • 2005A Theory of Harmony and Voice Leading for the Music of Olivier Messiaen33 cited
  • 2018Fretboard Transformations31 cited
  • 2020Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities26 cited
  • 2015Applications of DFT to the Theory of Twentieth-Century Harmony26 cited
  • 2003Dual Interval Space in Twentieth-Century Music23 cited
  • 2007Reconsidering Klumpenhouwer Networks21 cited
  • 1991Bartók's Octatonic Strategies: A Motivic Approach21 cited
  • 2015Twelve-Tone Rows and Aggregate Melodies in the Music of Shostakovich18 cited
  • 2014Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II17 cited
  • 2017Review of Emmanuel Amiot,Music through Fourier Space: Discrete Fourier Transform in Music Theory(Springer, 2016)11 cited
  • 2007K-nets and Hierarchical Structural Recursion6 cited
  • 2015Bartók's Polymodality

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5 cited
  • 2009A n I magined D rama of C ompetitive O pposition in C arter 'sS crivo in V ento , with N otes on N arrative , S ymmetry , Q uantitative F lux and H eraclitus5 cited
  • 2003Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta4 cited
  • 2023Approximate Set Theory2 cited
  • 2022Ravel’s Octatonic Scripts2 cited