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Étude et Identification du 'Bleu Maya'
3 references·16 citing·26 second hop
Étude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'Bleu Maya'Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex (2013)Non-invasive investigation of…Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)Aged Natural and Synthetic Ma…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …The Maya Blue Pigment (2011)The Maya Blue PigmentOn the interpretation of the Raman spectra of Maya Blue: a review on the literature data (2010)On the interpretation of the …Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview (2009)Voltammetric methods applied …The first direct evidence for the production of Maya Blue: rediscovery of a technology (2008)The first direct evidence for…Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS (2007)Sourcing the Palygorskite Use…Electrochemical monitoring of indigo preparation using Maya’s ancient procedures (2007)Electrochemical monitoring of…On the Raman spectrum of Maya blue (2006)On the Raman spectrum of Maya…Indigo chemisorption in sepiolite. Application to Maya blue formation (2006)Indigo chemisorption in sepio…Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction (2006)Crystal structure refinement …MAYA BLUE AND PALYGORSKITE: A second possible pre-Columbian source (2005)MAYA BLUE AND PALYGORSKITE: A…Microanalysis study of archaeological mural samples containing Maya blue pigment (2004)Microanalysis study of archae…Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…Maya blue: application of XAS and HRTEM to materials science in art and archaeology (2002)Maya blue: application of XAS…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Modern analytical methods in art and archaeology (2000)X-Ray Computed Tomography In Situ: An Opportunity for Museums and Restoration Laboratories (2019)Pigments—the palette of organic colourants in wall paintings (2021)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Maya Blue Paint: An Ancient Nanostructured Material (1996)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)ELECTROCHEMISTRY AND AUTHENTICATION OF ARCHAEOLOGICAL LEAD USING VOLTAMMETRY OF MICROPARTICLES: APPLICATION TO THE TOSSAL DE SANT MIQUEL IBERIAN PLATE (2011)Tracing, authenticating and dating archaeological metal using the voltammetry of microparticles (2011)Modeling Corrosion of Archaeological Silver‐Copper Coins Using the Voltammetry of Immobilized Particles (2012)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Does the Standardization of Ceramic Pastes Really Mean Specialization? (2000)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Maya Blue: A Computational and Spectroscopic Study (2005)Raman and infrared studies of synthetic Maya pigments as a function of heating time and dye concentration (2007)Blue natural organic dyestuffs—from textile dyeing to mural painting. Separation and characterization of coloring matters present in elderberry, logwood and indigo (2006)From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles (2011)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)
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References

  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited

Cited by

  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • 2005MAYA BLUE AND PALYGORSKITE: A second possible pre-Columbian source68 cited
  • 2006On the Raman spectrum of Maya blue68 cited
  • 2004Microanalysis study of archaeological mural samples containing Maya blue pigment66 cited
  • 2008The first direct evidence for the production of Maya Blue: rediscovery of a technology64 cited
  • 2002Maya blue: application of XAS and HRTEM to materials science in art and archaeology57 cited
  • 2009Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview53 cited
  • 2011The Maya Blue Pigment53 cited
  • 2006Indigo chemisorption in sepiolite. Application to Maya blue formation49 cited
  • 2007Electrochemical monitoring of indigo preparation using Maya’s ancient procedures49 cited
  • 2007Sourcing the Palygorskite Used in Maya Blue: A Pilot Study Comparing the Results of INAA and LA-ICP-MS47 cited

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  • 2010On the interpretation of the Raman spectra of Maya Blue: a review on the literature data46 cited
  • 2006Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction46 cited
  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2012Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make?41 cited
  • 2013Non-invasive investigation of a pre-Hispanic Maya screenfold book: the Madrid Codex40 cited