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La certification de la valeur de l'art. Experts et expertises
0 references·15 citing·43 second hop
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Cited by

  • 2013INTERNATIONAL CONTEMPORARY ART FAIRS IN A ‘GLOBALIZED’ ART MARKET60 cited
  • 2000Sociology of Art: New Stakes in a Post-Critical Time47 cited
  • 2016Artistic work intermediaries as value producers. Agents, managers, tourneurs and the acquisition of symbolic capital in popular music43 cited
  • 2019The effect of experts’ opinion on prices of art works: The case of Peter Brueghel the Younger32 cited
  • 2004L’illusion de l’abolition des frontières dans le monde de l’art contemporain international28 cited
  • 2007Diriger les musées et administrer la culture25 cited
  • 1994L'espace des objets. Expertises et enchères à Drouot-Nord24 cited
  • 2007Les usages sociaux des emplois précaires dans les institutions culturelles.23 cited
  • 2015THE IMPACT OF NATIONALITY ON THE CONTEMPORARY ART MARKET18 cited
  • 1997Les frontières de l'art à l'épreuve de l'expertise. Politique de la décision dans une commission municipale14 cited
  • 1997Expertise et politique publique de l'art contemporain : les critères d'achat dans un Fonds Régional d'Art Contemporain13 cited
  • 2011Les formes de l'expertise artistique en Europe (XIVe-XVIIIe siècle)11 cited
  • 2008Les modes de professionnalisation de l'accompagnement muséal. Profils et trajectoires de médiateurs6 cited

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2018
The Uneven Distribution of International Success in the Visual Artists Among Nations, According to the Rankings of the ‘Top 100 Artists in the World’
6 cited
  • 2015Is it compulsory to be able to dance to teach dance at school? The teacher's body challenging transmission0 cited