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King of Ragtime: Scott Joplin and his Era.
0 references·6 citing·19 second hop
King of Ragtime: Scott Joplin and his Era. (1997)King of Ragtime: Scott Joplin and his Era.Opeth not metal: making sense of the symbolic boundary work in the leisure spaces of musicians and fans (2018)Opeth not metal: making sense…Uplift, Gender, and Scott Joplin's Treemonisha (2015)Uplift, Gender, and Scott Jop…Plantation Song: Delius, Barbershop, and the Blues (2013)Plantation Song: Delius, Barb…Black Musics, Technology, and Modernity: Exhibit A, the Drum Kit (2012)Black Musics, Technology, and…Response to “Art versus Commerce as a Macromarketing Theme” (2006)Response to “Art versus Comme…Ragtime and early jazz (1998)Ragtime and early jazzTHE HUMAN SIDE OF ENTERPRISE (1985)Noise: The Political Economy of Music (1986)Dialectic of Enlightenment (2020)Technologies of the self: a seminar with Michel Foucault (1988)Technologies of the Self: A Seminar with Michel Foucault. (1989)Music in Everyday Life (2000)Slave songs of the United States (1867)African Rhythm and African Sensibility (1982)The New Grove dictionary of music and musicians (2001)Delius and the Sound of Place (2018)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics [1989] (2018)Anatomy of Criticism (1957)The Black Atlantic: Modernity and Double Consciousness (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)Selections from the Prison Notebooks (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Sports Fans and Fan Culture: A Critical Reflection on Fandom as Communicative Leisure in a Commodified World (2021)
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  • 1998Ragtime and early jazz17 cited
  • 2013Plantation Song: Delius, Barbershop, and the Blues16 cited
  • 2018Opeth not metal: making sense of the symbolic boundary work in the leisure spaces of musicians and fans13 cited
  • 2006Response to “Art versus Commerce as a Macromarketing Theme”12 cited
  • 2012Black Musics, Technology, and Modernity: Exhibit A, the Drum Kit5 cited
  • 2015Uplift, Gender, and Scott Joplin's Treemonisha4 cited

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