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Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries
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Cited by

  • 2007Qualitative insights into the use of expressive body movement in solo piano performance: a case study approach121 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 1997Mozart's Notation of Staccato Articulation: A New Appraisal45 cited
  • 2013Performing solo Bach: A case study of musical decision-making39 cited
  • 1998Virtuosity as rhetoric: Agency and transformation in Paganini's mastery of the violin36 cited
  • 2001The profession of music29 cited
  • 2009Amico21 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2010A BaroqueTräumerei: The Performance and Perception of two Violin Renditions6 cited
  • 2014Expressiveness in Historical Perspective6 cited
  • 2020Improving Intonation with A Drone Accompaniment6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited

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Instrumental performance in the twentieth century and beyond
5 cited