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Cited by

• 2006Millions Like Us? Accented Language and the “Ordinary” in British Films of the Second World War28 cited
• 2005Literature and cinema18 cited
• 2021Biography and Autobiography15 cited
• 2015‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’9 cited
• 2013Film as a Social Practice9 cited
• 2018‘Who Is British Music?’ Placing Migrants in National Music History8 cited
• 2007HISTORY, REVISIONISM AND TELEVISION DRAMA7 cited
• 1987Wartime British cinema audiences and the class system: the case of ‘ships with wings’(1941)6 cited
• 2003Nazis Into Germans:Went the Day Well? (1942) andThe Eagle Has Landed(1976)5 cited
• 2015A Very Long Engagement: The Use of Cinematic Texts in Historical Research5 cited
• 1996‘The Yanks Are Shown to Such Advantage’: Anglo-American rivalry in the production of ‘The True Glory’ (1945)4 cited
• 2013Cinema-going in a port town, 1914–1951: film booking patterns at the Queens Cinema, Portsmouth4 cited
• 1993‘High Treason’ (1951): Britain's cold war fifth column4 cited