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Blondes Have More Fun : Anita Loos and the Language of Silent Cinema
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Blondes Have More Fun : Anita Loos and the Language of Silent Cinema (2010)Blondes Have More Fun : Anita Loos and th…The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Mass Production of the Se…The tenth muse: writing about cinema in the modernist period (2008)The tenth muse: writing about…Rethinking the novel/film debate (2003)Rethinking the novel/film deb…The Mass Ornament: Weimar Essays (1996)The Mass Ornament: Weimar Ess…The Gender of Modernity (1995)The Gender of ModernityT. S. Eliot and the Cultural Divide (1995)T. S. Eliot and the Cultural …D.W. Griffith and the origins of American narrative film: the early years at Biograph (1991)D.W. Griffith and the origins…After the Great Divide: Modernism, Mass Culture, Postmodernism (1988)After the Great Divide: Moder…Gramophone, Film, Typewriter (1987)Gramophone, Film, TypewriterAfter the Great Divide: Modernism, Mass Culture, Postmodernism (1987)After the Great Divide: Moder…The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…Illuminations: Essays and Reflections (1968)Illuminations: Essays and Ref…Fiction and the reading public (1965)Fiction and the reading publicLetters of James Joyce (1957)Letters of James JoyceFilm Form: Essays in Film Theory (1949)Film Form: Essays in Film The…The Photoplay. A Psychological Study (1916)The Photoplay. A Psychologica…The Black Atlantic: Modernity and Double Consciousness. (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Environmentalism and Postcolonialism (2005)World Cinemas, Transnational Perspectives (2009)The Location of Culture (2012)Obstacles to the Development of Media Education in the United States (1998)A philosophy of cinematic art (2010)The Empathic Screen (2019)Adaptation Studies at a Crossroads (2008)The Cambridge Introduction to Postmodernism (2015)Theorizing Adaptation (2020)The Oxford history of world cinema (1997)The Close-Up: Scale and Detail in the Cinema (2003)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)For Public Sociology (2005)Knowledge and Critical Pedagogy (2008)Deleuze and the Anthropology of Becoming (2010)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Unit Operations: An Approach to Videogame Criticism (2006)Symmetrical archaeology: excerpts of a manifesto (2007)Aesthetics of Superfluity (2004)Anywhere or not at all: philosophy of contemporary art (2014)Postmodernism and the Social Sciences (1992)Club cultures: music, media and subcultural capital (1996)Present Pasts: Media, Politics, Amnesia (2000)Doing Research in Cultural Studies (2003)Henry James and Queer Modernity (2003)Transformations: Thinking Through Feminism (2005)
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References

  • 1968Illuminations: Essays and Reflections3,839 cited
  • 1995The Gender of Modernity1,236 cited
  • 1987Gramophone, Film, Typewriter1,176 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,026 cited
  • 1949Film Form: Essays in Film Theory878 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1916The Photoplay. A Psychological Study416 cited
  • 1996The Mass Ornament: Weimar Essays361 cited
  • 2003Rethinking the novel/film debate339 cited
  • 2009The Mass Production of the Senses: Classical Cinema as Vernacular Modernism335 cited
  • 1988After the Great Divide: Modernism, Mass Culture, Postmodernism325 cited
  • 1995T. S. Eliot and the Cultural Divide293 cited
  • 1991D.W. Griffith and the origins of American narrative film: the early years at Biograph269 cited
  • 1965Fiction and the reading public268 cited
  • 2008The tenth muse: writing about cinema in the modernist period216 cited
  • 1957Letters of James Joyce169 cited

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