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High art as tourist art, tourist art as high art: Comparing the New Guinea Sculpture Garden at Stanford University and Sepik River tourist art
16 references·1 citing·29 second hop
High art as tourist art, tourist art as high art: Comparing the New Guinea Sculpture Garden at Stanford University and Sepik River tourist art (2003)High art as tourist art, tourist art as h…Anthropological Papers of the American Museum of Natural History (2007)Anthropological Papers of the…Globalization and Culture Change in the Pacific Islands (2003)Globalization and Culture Cha…Unpacking culture : art and commodity in colonial and postcolonial worlds (1999)Unpacking culture : art and c…Routes: Travel and Translation in the Late Twentieth Century. (1998)Routes: Travel and Translatio…The Third Eye (1996)The Third EyeAfrican art in transit (1994)African art in transitImperial Eyes: Travel Writing and Transculturation. (1993)Imperial Eyes: Travel Writing…Cannibal Tours and Glass Boxes: The Anthropology 89 of Museums (1993)Cannibal Tours and Glass Boxe…Primitive Art in Civilized Places (1992)Primitive Art in Civilized Pl…Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)Exhibiting Cultures: The Poet…Cannibal Tours and Glass Boxes: The Anthropology of Museums (1992)Cannibal Tours and Glass Boxe…African Art and Authenticity: A Text with a Shadow (1992)African Art and Authenticity:…Gone primitive: savage intellects, modern lives (1991)Gone primitive: savage intell…Primitive Art in Civilized Places (1990)Primitive Art in Civilized Pl…The Predicament of Culture (1988)The Predicament of CultureOn Collecting Art and Culture (1988)On Collecting Art and CultureFrom Cannibal Tours to cargo cult: On the aftermath of tourism in the Sepik River, Papua New Guinea (2012)From Cannibal Tours to cargo …Interdisciplinary agendas in visual research: re-situating visual anthropology (2003)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)On Ethnographic Sincerity (2010)Anthropology and Mass Media (1993)Authenticity and sincerity in tourism (2001)The Languages of Archaeology (2002)The Discipline and Practice of Qualitative Research (2005)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The Extended Case Method (1998)Voices of Modernity (2003)Multispecies Studies (2016)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Race and the Education of Desire (1995)Performing Autoethnography: An Embodied Methodological Praxis (2001)The dynamics of the service delivery process: A value-based approach (1997)Community archaeology: general methods and standards of practice (2007)M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions (2014)Representing Nationality in China: Refiguring Majority/Minority Identities (1994)Body paint, feathers, and vcrs: aesthetics and authenticity in Amazonian activism (1997)Art and Agency An Anthropological Theory (1998)The role of culture‐specific schemata in the comprehension and recall of stories∗ (1978)Myths of the Archaic State (2005)The Coexistence of Natural and Supernatural Explanations Across Cultures and Development (2012)Marketing Across Cultures (2001)Global Anxieties (2004)Souvenirs: Icons of meaning, commercialization and commoditization (2011)
this work references cited by second hop

References

  • 1988The Predicament of Culture5,526 cited
  • 1993Imperial Eyes: Travel Writing and Transculturation.4,974 cited
  • 1998Routes: Travel and Translation in the Late Twentieth Century.3,457 cited
  • 1992Exhibiting Cultures: The Poetics and Politics of Museum Display.1,285 cited
  • 1991Gone primitive: savage intellects, modern lives1,234 cited
  • 2007Anthropological Papers of the American Museum of Natural History855 cited
  • 1996The Third Eye505 cited
  • 1990Primitive Art in Civilized Places344 cited
  • 1999Unpacking culture : art and commodity in colonial and postcolonial worlds322 cited
  • 1993Cannibal Tours and Glass Boxes: The Anthropology 89 of Museums290 cited
  • 1992Primitive Art in Civilized Places238 cited
  • 1992Cannibal Tours and Glass Boxes: The Anthropology of Museums214 cited
  • 1992African Art and Authenticity: A Text with a Shadow213 cited
  • 1994African art in transit168 cited
  • 1988On Collecting Art and Culture134 cited
  • 2003Globalization and Culture Change in the Pacific Islands107 cited

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Cited by

  • 2012From Cannibal Tours to cargo cult: On the aftermath of tourism in the Sepik River, Papua New Guinea10 cited