The Global Jukebox: The International Music Industry

Norbert Carnovale · Robert Alexander Burnett

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Music History and Culture Cultural Industries and Urban Development Copyright and Intellectual Property

Abstract

Preface List of Tables List of Figures 1.INTRODUCTION 2. MUSIC AND THE ENTERTAINMENT INDUSTRY 3.MUSIC AS POPULAR CULTURE 4.THE MUSIC INDUSTRY IN TRANSITION 5.THE PRODUCTION OF POPULAR MUSIC 6.THE CONSUMPTION OF POPULAR MUSIC 7.THE AMERICAN EXAMPLE 8.THE SWEDISH EXAMPLE 9.FUTURE SOUNDS: TOWARDS A GLOBAL JUKEBOX ? Appendix 1 Internet WWW music sites Bibliography

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2010Soundscapes: Toward a Sounded Anthropology 2010What Is Sociological about Music?2000Local music policies within a global music industry: cultural quarters in Manchester and Sheffield 2001Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 2004Academic publishing as ‘creative’ industry, and recent discourses of ‘creative economies’: some critical reflections 2002Profiting from Creativity? The Music Industry in Stockholm, Sweden and Kingston, Jamaica 2007Micro-independent record labels in the UK 2000Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space

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