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Dancing without Music: Copyright and Australian Nightclubs
10 references·0 citing·38 second hop
Dancing without Music: Copyright and Australian Nightclubs (2010)Dancing without Music: Copyright and Aust…The Cultural Industries (2019)The Cultural IndustriesCopyright compulsory licensing and incentives (2013)Copyright compulsory licensin…A portrait of the politician as a young pub rocker: live music venue reform in Australia (2008)A portrait of the politician …Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market (2005)Building International Empire…Copyright societies do not administer individual property rights: the incoherence of institutional traditions in Germany and the UK (2002)Copyright societies do not ad…Copyright in the Cultural Industries (2002)Copyright in the Cultural Ind…Music in Everyday Life (2000)Music in Everyday LifeContested Collective Administration of Intellectual Property Rights in Music (1999)Contested Collective Administ…The value of performers' rights: an economic approach (1998)The value of performers' righ…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Harmonious Alliance: A History of the Performing Right Society. (1991)Copyright, risk and the artist: An economic approach to policy for artists (1999)What We Know, What We Don't Know, and What Policy-makers Would Like Us to Know About the Economics of Copyright (2011)Copyright protection of live esports broadcast under China's new Copyright Law (2022)Naven (1958)Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity (2001)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)The music industry and the internet : a decade of disruptive and uncontrolled sectoral change (2011)Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors (2018)K-Pop’s Global Success and Its Innovative Production System (2022)Cities and the Night-time Economy (1995)Local music policies within a global music industry: cultural quarters in Manchester and Sheffield (2000)URBAN REDEVELOPMENT, LIVE MUSIC AND PUBLIC SPACE (2004)State of play (2010)Why get involved? Finding reasons for municipal interventions in the Canadian music industry (2013)Towards an ideal typical live music city (2018)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)European intellectual property review (1980)Increasing returns and the new world of business. (1996)The Winner-Take-All Society (1996)Intellectual property in music: A historical analysis of rhetoric and institutional practices∗ (2000)COPYRIGHT AND ENTREPRENEURSHIP: CATALYST OR BARRIER? (2009)The Economics of Collective Copyright Management (2013)The Structure of Scientific Revolutions (1963)Cultural geography: the busyness of being `more-than-representational' (2005)Those Things That Hold Us Together: Taste and Sociology (2007)Music in the exercise domain: a review and synthesis (Part I) (2011)Theorising media as practice (2004)Urban Development and the Politics of a Creative Class: Evidence from a Study of Artists (2006)In the Social Factory? (2008)Music in Electronic Markets (2001)Cultura. Estrategia para el desarrollo local (2007)Developing novel property concepts in private law to foster the circular economy (2020)
this work references cited by second hop

References

  • 2000Music in Everyday Life2,715 cited
  • 1996Club cultures: music, media and subcultural capital1,948 cited
  • 2019The Cultural Industries1,177 cited
  • 2002Copyright in the Cultural Industries44 cited
  • 2005Building International Empires of Sound: Concentrations of Power and Property in the “Global” Music Market41 cited
  • 1999Contested Collective Administration of Intellectual Property Rights in Music37 cited
  • 2008A portrait of the politician as a young pub rocker: live music venue reform in Australia17 cited
  • 1998The value of performers' rights: an economic approach14 cited
  • 2013Copyright compulsory licensing and incentives8 cited
  • 2002Copyright societies do not administer individual property rights: the incoherence of institutional traditions in Germany and the UK8 cited

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