The City:The rhetoric of rhythm

Martin J. Medhurst · Thomas W. Benson

20 citations0/0 files storedCommunication Monographs

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Cinema History and Criticism Visual Culture and Art Theory Cinema and Media Studies

Abstract

This article is a case study of Ralph Steiner and Willard Van Dyke's classic documentary, The City. The critical and aesthetic principles of Sergei Eisenstein and Rudolph Arnheim demonstrate how rhythm functions formally and rhetorically to create cinematic knowledge.

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2011The Elementary Forms of the Religious Life:1957Philosophy in a New Key 1995The Culture of Cities 1949Film Form: Essays in Film Theory 1937Social Time: A Methodological and Functional Analysis 1978Form and Genre: Shaping Rhetorical Action.1990Social-time: A Methodological and Functional Analysis 1974Documentary: A History of the Non-Fiction Film

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2007Intellectual and Conceptual Resources for Visual Rhetoric: A Re-examination of Scholarship Since 1950 1999Meta-Imaging, The War Room, and the Hyperreality of U.S. Politics 1982Hiroshima, Mon Amour:From iconography to rhetoric

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