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Orpheus, Ovid and Opera
16 references·3 citing·26 second hop
Orpheus, Ovid and Opera (1988)Orpheus, Ovid and OperaAncient Mystery Cults (1987)Ancient Mystery CultsL'Orfeo del Poliziano : con il testo critico dell'originale e delle successive forme teatrali (1986)L'Orfeo del Poliziano : con i…Claudio Monteverdi: Orfeo (1986)Claudio Monteverdi: OrfeoThe Orphic poems (1983)The Orphic poemsA Florentine Wedding of 1608 (1983)A Florentine Wedding of 1608Orpheus: The Metamorphoses of a Myth (1982)Orpheus: The Metamorphoses of…Orpheus (1982)OrpheusCatabasis: Vergil and the Wisdom-Tradition (1981)Catabasis: Vergil and the Wis…Of poetry and music's power: Humanism and the creation of opera (1980)Of poetry and music's power: …Li due Orfei: da Poliziano a Monteverdi (1972)Li due Orfei: da Poliziano a …Orpheus in the Middle Ages (1970)Orpheus in the Middle AgesThe Survival of the Pagan Gods (1954)The Survival of the Pagan GodsThe Prisca Theología in France (1954)The Prisca Theología in FranceOrpheus the Theologian and Renaissance Platonists (1953)Orpheus the Theologian and Re…The arts of Orpheus (1941)The arts of OrpheusPaulys Real-Encyclopädie der Classischen Altertumswissenschaft (1932)Paulys Real-Encyclopädie der …The Influence of Ovid in Opera (2014)The Influence of Ovid in OperaThe sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione (1999)The sources and significance …‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice (1991)‘Figura poetica molto vaga’: …Myth and Philosophy in Plato's Phaedrus (2012)Myths of the Underworld in Contemporary Culture (2019)The Cambridge Companion to Virgil (2019)The Artist's Limits in Ovid: Orpheus, Pygmalion, and Daedalus (1989)Oxus Trumpets, ca. 2200-1800 BCE (2003)The Non‐Puritan Ethics, Metaphysics, and Aesthetics of Milton's Spenserian Masque (2003)Alessandro Striggio's Mass in Forty and Sixty Parts (2007)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Some Pagan Mythological Figures and Their Significance in Early Christian Art (1974)The Repton Stone (1985)Redefining ancient Orphism: a study in Greek religion (2014)Physiology and Faith: Addressing the “Universal” Gender Difference in Religious Commitment (2002)Spectacles of truth in classical Greek philosophy: theoria in its cultural context (2005)The cultural evolution of prosocial religions (2014)Artistic geographies (2014)Religion (2014)The Cambridge Companion to the Italian Renaissance (2014)Redefining Ancient Orphism (2013)The Cambridge History of Sixteenth-Century Music (2019)Women and Music in Sixteenth-Century Ferrara (2018)The Cambridge History of Literary Criticism (1999)Theories of poetry: Latin writers (1999)Early Greek elegy, symposium and public festival (1986)Written Texts and the Rise of Literate Culture in Ancient Greece (2003)The Science of Harmonics in Classical Greece (2007)
this work references cited by second hop

References

  • 1987Ancient Mystery Cults267 cited
  • 1983The Orphic poems153 cited
  • 1982Orpheus122 cited
  • 1953Orpheus the Theologian and Renaissance Platonists112 cited
  • 1986L'Orfeo del Poliziano : con il testo critico dell'originale e delle successive forme teatrali77 cited
  • 1981Catabasis: Vergil and the Wisdom-Tradition69 cited
  • 1983A Florentine Wedding of 160863 cited
  • 1972Li due Orfei: da Poliziano a Monteverdi61 cited
  • 1970Orpheus in the Middle Ages58 cited
  • 1982Orpheus: The Metamorphoses of a Myth58 cited
  • 1954The Survival of the Pagan Gods52 cited
  • 1941The arts of Orpheus44 cited
  • 1932Paulys Real-Encyclopädie der Classischen Altertumswissenschaft42 cited
  • 1954The Prisca Theología in France39 cited
  • 1980Of poetry and music's power: Humanism and the creation of opera29 cited
  • 1986Claudio Monteverdi: Orfeo23 cited

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  • 2014The Influence of Ovid in Opera

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8 cited
  • 1999The sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione7 cited
  • 1991‘Figura poetica molto vaga’: structure and meaning in Rinuccini'sEuridice4 cited