The Lens of Science: Anthropometric Photography and the Chippewa, 1890–1920

Abstract

Nineteenth-century anthropologists struggled to establish themselves as scientists in a cultural milieu of enthusiasm for “curiosities.” Because commercial photographers appropriated the “authenticity” of photographic realism, the need increased for ethnographic photographers to distinguish between such realism and the “scientific authority” of their own visual productions. Through a case study of anthropometric photography of the Chippewa, this article examines the tension between, on the one hand, ethnographers' exploitation of the technological and symbolic attributes of photography to promote the scientific and political goals of the discipline, and on the other hand, the influence and function of visual genres and visual allegories in conditioning and framing what viewers accepted as “real” and “true.”

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