Passing strange: Shakespeare, race, and contemporary America

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Shakespeare, Adaptation, and Literary Criticism Theatre and Performance Studies Renaissance Literature and Culture

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TABLE OF CONTENTS Acknowledgments 1. Introduction: The Passing Strangeness of Shakespeare in America 2. Universalism: Two Films that Brush with the Bard, Suture and Bringing Down the House 3. Essentialism: Meditations Inspired by Farrukh Dondy's novel Black Swan 4. Multiculturalism: The Classics, Casting, and Confusion 5. Original(ity): Othello and Blackface 6. Reform: Redefining Authenticity in Shakespeare Reform Programs 7. Archives: Classroom-Inspired Performance Videos on YouTube 8. Conclusion: Passing Race and Passing Shakespeare in Peter Sellars's Othello Notes Works Cited Index

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2016“Not a Moor exactly”: Shakespeare, Serial, and Modern Constructions of Race 2013Global Shakespeares as Methodology 2013The Shakespearean Glass Ceiling: the State of Colorblind Casting in Contemporary British Theatre 2017Shakespeare Performance Studies 2010Unmooring the Moor: Researching and Teaching on YouTube 2020Shakespeare, Technicity, Theatre 2019Casting a Movement

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