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The Simpsons’ visual and textual depiction of Springfield as a typical American city provides an insightful critique of the modern project. We demonstrate how America's longest running sitcom depicts urban life as a mutable environment whose disparate locales convey their inhabitants to a ubiquitous, ever-present continuum that we term “omnitopia.” In depicting Springfield as omnitopia, the show offers a cartoon version of public life marked by dislocation, conflation, fragmentation, mutability, mobility, and commodification. The study of these components provides a means to interpret and critique the increasing decline of locales in the urban environment.
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Stored only when both papers are in the corpus — 14 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.