SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Bogolan: Shaping Culture through Cloth in Contemporary Mali
0 references·13 citing·48 second hop
Bogolan: Shaping Culture through Cloth in Contemporary Mali (2002)Bogolan: Shaping Culture through Cloth in…Yoruba Art and Language: Seeking the African in African Art (2017)Yoruba Art and Language: Seek…The Silence of the Women: Bamana Mud Cloths (2017)The Silence of the Women: Bam…“The Models for Africa”: Accra's Independence-Era Fashion Culture and the Creations of Chez Julie (2016)“The Models for Africa”: Accr…Clothing, Kinship, and Representation: Transnational Wardrobes in Michigan's African Diaspora Communities. (2014)Clothing, Kinship, and Repres…What to Wear? Dress And Transnational African Identity (2012)What to Wear? Dress And Trans…On the role of tannins and iron in the Bogolan or mud cloth dyeing process (2012)On the role of tannins and ir…OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos (2012)OfMutualityandCopying: Fashio…Space, line and story in the invention of an Andean aesthetic (2011)Space, line and story in the …Viewing Africa through Fashion (2009)Viewing Africa through FashionThe Idea of Africa in European High Fashion: Global Dialogues (2009)The Idea of Africa in Europea…Say What You Like: Dress, Identity and Heritage in Zanzibar (2006)Say What You Like: Dress, Ide…Artists and Aesthetics: Case Studies of Creativity in the Ethnic Arts Market (2004)Artists and Aesthetics: Case …An Ethnography of Neoliberalism (2002)An Ethnography of Neoliberali…Economic Action and Social Structure: The Problem of Embeddedness (1985)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Theory of Economic Development (2003)For institutional ethnography (2015)‘Making’ labour in Mexican artisanal workshops (2018)the romance of resistance: tracing transformations of power through Bedouin women (1990)Of Revelation and Revolution, Volume 2 (1997)Heritage Pasts and Heritage Presents: temporality, meaning and the scope of heritage studies (2001)Scents of identity: Fragrance as heritage in Zanzibar (2008)When Arab‐expatriate relations work well (2010)The Boubou and Post-Colonial African Musical Performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo (2022)SCOPIC REGIMES OF MODERNITY (1988)Lines (2007)Phenomenology of Perception (2013)Desenho e antropologia: recuperação histórica e momento atual (2016)On the Pursuit of Good Living in Highland Ecuador: Critical Indigenous Discourses of Sumak Kawsay (2018)Out There: Marginalization and Contemporary Cultures (1991)Art And Agency (1998)The Winner-Take-All Society: Why the Few at the Top Get So Much More Than the Rest of Us (2010)Raman analysis of iron gall inks on parchment (2006)Hydroxide Nanoparticles for Deacidification and Concomitant Inhibition of Iron-Gall Ink Corrosion of Paper (2010)Non-destructive spectroscopic characterization of parchment documents (2010)The right mud: Studies in the mud-coating technique of Gambiered Guangdong silk (2016)Dream and Drama: The Search for Elegance among Congolese Youth (1999)Salaula: the world of secondhand clothing and Zambia (2001)The World in Dress: Anthropological Perspectives on Clothing, Fashion, and Culture (2004)Geographies of Fashion and Style: Setting the Scene (2021)Ethnic fashion designers, entrepreneurs and family businesses: an African marketing perspective (2023)China as data coloniser? rethinking cultural production, cultural mediation, and consumer agency on Kenyan and Chinese e-commerce platforms (2024)"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern (1985)Primitivism in Modern Art (1986)International Herald Tribune (2009)The transnational spaces of things: South Asian textiles in Britain andThe Grammar of Ornament (2009)Hot and Haute: Alphadi's Fashion for Peace (2014)Factors Influencing Fashion Adoption among the Youth in Johannesburg, South Africa (2016)The Savage Mind. (1967)The King's Two Bodies: A Study in Medieval Political Theology (1981)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Unearthing Colonial Violence: Griotic Archaeology and Community-Engagement in Guiana (2021)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, cosmopolitans, and popular music in Zimbabwe (2001)Fashioning Africa: power and the politics of dress (2005)Conceptual Design and Fashion’s Futures in the Afropolis (2022)Secrecy: African Art That Conceals and Reveals (1994)African Fashion, Global Style (2015)African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear (2015)Seeing the unseeing audience: women and West African power association masquerades (2018)The Shirts of the Donso Hunters: materiality and power between concealment and visual display (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2002An Ethnography of Neoliberalism65 cited
  • 2017Yoruba Art and Language: Seeking the African in African Art28 cited
  • 2009Viewing Africa through Fashion22 cited
  • 2009The Idea of Africa in European High Fashion: Global Dialogues18 cited
  • 2012On the role of tannins and iron in the Bogolan or mud cloth dyeing process18 cited
  • 2006Say What You Like: Dress, Identity and Heritage in Zanzibar16 cited
  • 2011Space, line and story in the invention of an Andean aesthetic16 cited
  • 2017The Silence of the Women: Bamana Mud Cloths13 cited
  • 2016“The Models for Africa”: Accra's Independence-Era Fashion Culture and the Creations of Chez Julie5 cited
  • 2004Artists and Aesthetics: Case Studies of Creativity in the Ethnic Arts Market3 cited
  • 2012OfMutualityandCopying: FashioningAso Ebithrough Fashion Magazines in Lagos3 cited
  • 2014Clothing, Kinship, and Representation: Transnational Wardrobes in Michigan's African Diaspora Communities.2 cited
  • 2012What to Wear? Dress And Transnational African Identity1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work