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Beyond “Authenticity”: Migration and the Epistemology of “Voice” in Mary Prince’s History of Mary Prince and Maryse Condé’s I, Tituba
9 references·1 citing·31 second hop
Beyond “Authenticity”: Migration and the Epistemology of “Voice” in Mary Prince’s History of Mary Prince and Maryse Condé’s I, Tituba (2009)Beyond “Authenticity”: Migration and the …The History of Mary Prince, a West Indian Slave, Related by Herself (2014)The History of Mary Prince, a…Ghosts Of Slavery: A Literary Archaeology of Black Women’s Lives (2002)Ghosts Of Slavery: A Literary…The Body as Evidence: Resistance, Collaboration, and Appropriation in The History of Mary Prince (2001)The Body as Evidence: Resista…The Intimate Empire: Reading Women's Autobiography (2000)The Intimate Empire: Reading …Black imagination and the Middle Passage (2000)Black imagination and the Mid…African American literary theory : a reader (2000)African American literary the…Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies. (1997)Tituba, Reluctant Witch of Sa…Mama's Baby, Papa's Maybe: An American Grammar Book (1987)Mama's Baby, Papa's Maybe: An…I, Tituba, Black Witch of Salem (1986)I, Tituba, Black Witch of Sal…Confronting the Communal: Maryse Condé's Challenge to New World Orders in Moi, Tituba (2012)Confronting the Communal: Mar…The body in pain (1985)Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater (2011)Pringle’s Pruning of Prince: The History of Mary Prince and the Question of Repetition (2012)Surface and Stasis: Re-reading Slave Narrative via The History of Mary Prince (2013)Domination and the Arts of Resistance (2017)The Puritan Origins of the American Self (1976)Le discours antillais (1981)Writing the Vanishing Real: Hyperreality and Magical Realism (2008)BECOMING MODERN RACIALIZED SUBJECTS (2009)A History of the African American Novel (2017)Purloined Identity (2000)Historical Fiction and Maryse Condé's I, Tituba, Black Witch of Salem (2009)Filming Black Voices and Stories: Slavery on America's Screens (2018)Separate Spheres, Female Worlds, Woman's Place: The Rhetoric of Women's History (1988)Black (W)holes and the Geometry of Black Female Sexuality (1994)Dark matters: on the surveillance of blackness (2016)Life histories of enslaved Africans in Barbados (1998)The ‘Glasgow King of Billingsgate’: James MacQueen and an Atlantic Proslavery Network1 (2008)The Trouvadore Project: The Search for a Slave Ship and its Cultural Importance (2008)Missionary writing and empire, 1800-1860 (2004)Western Autobiography and Colonial Discourse: An Overview (2006)Multilingual Life Writing by French and Francophone Women (2019)Romance, Diaspora, and Black Atlantic Literature (2010)The Material Life of Roman Slaves (2014)The Cambridge History of Latin American Women's Literature (2015)Going Overboard: African American Poetic Innovation and the Middle Passage (2011)Mad Is a Place; or, the Slave Ship Tows the Ship of Fools (2017)“Windrush Generation” and “Hostile Environment” (2019)Hey Girl, Am I More than My Hair?: African American Women and Their Struggles with Beauty, Body Image, and Hair (2006)Black Women, Beauty, and Hair as a Matter of Being (2009)The Talking Book and the Talking Book Historian: African American Cultures of Print—The State of the Discipline (2010)
this work references cited by second hop

References

  • 1987Mama's Baby, Papa's Maybe: An American Grammar Book5,072 cited
  • 2002Ghosts Of Slavery: A Literary Archaeology of Black Women’s Lives259 cited
  • 2000African American literary theory : a reader198 cited
  • 2000The Intimate Empire: Reading Women's Autobiography103 cited
  • 2000Black imagination and the Middle Passage85 cited
  • 1986I, Tituba, Black Witch of Salem74 cited
  • 2014The History of Mary Prince, a West Indian Slave, Related by Herself70 cited
  • 2001The Body as Evidence: Resistance, Collaboration, and Appropriation in The History of Mary Prince67 cited
  • 1997Tituba, Reluctant Witch of Salem: Devilish Indians and Puritan Fantasies.43 cited

Cited by

  • 2012Confronting the Communal: Maryse Condé's Challenge to New World Orders in Moi, Tituba10 cited

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