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Popular music and the politics of identity: The empowering sound of Technobanda
16 references·2 citing·29 second hop
Popular music and the politics of identity: The empowering sound of Technobanda (2000)Popular music and the politics of identit…Subculture (2010)SubcultureUnderstanding Popular Culture (2006)Understanding Popular CultureThe Case against the global economy: and for a turn toward the local (1997)The Case against the global e…Identity, culture and the postmodern world (1997)Identity, culture and the pos…Undoing culture: globalization, postmodernism and identity (1996)Undoing culture: globalizatio…Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Ethnicity, Identity and Music. The Musical Construction of Place (1995)Ethnicity, Identity and Music…Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Running with the devil: power, gender, and madness in heavy metal music (1993)Running with the devil: power…Postphenomenology: Essays in the Postmodern Context (1993)Postphenomenology: Essays in …Understanding popular culture (1990)Understanding popular cultureStudying Popular Music (1990)Studying Popular MusicMusic and Society: The Politics of Composition, Performance and Reception. (1988)Music and Society: The Politi…Ethnic Groups and Boundaries: The Social Organization of Culture Difference (1972)Ethnic Groups and Boundaries:…Ethnic Groups and Boundaries: The Social Organization of Culture Difference (1970)Ethnic Groups and Boundaries:…The consumption of live music in different languages: a quantitative approach (2020)The consumption of live music…Mexican Pointy Boots and the Tribal Scene: Global Appropriations of Local Cultural Practices in the Virtual Age (2015)Mexican Pointy Boots and the …The History of Sexuality (1976)5. The Practice of Everyday Life (2000)Metaphors We Live By (2003)Creativity and tourism (2011)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)National Identity, Popular Culture and Everyday Life (2020)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Music in Everyday Life (2000)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)Researching youth culture and popular music: a methodological critique (2002)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)The mp3 as cultural artifact (2006)Critical History of the Acculturation Psychology of Assimilation, Separation, Integration, and Marginalization (2003)Socialization in the Family: Ethnic and Ecological Perspectives (2007)Policing Borders, Producing Boundaries. The Governmentality of Immigration in Dark Times (2010)Club cultures: music, media and subcultural capital (1996)The Mediatization of Society (2008)Institutional conditions for diffusion (1993)Rethinking Racism: Toward a Structural Interpretation (1997)A Theory of Racialized Organizations (2019)Youth and Cultural Practice (2002)The Production of Culture Perspective (2004)‘Insider Research’ in the Study of Youth Cultures (2005)Consuming Sport: Fans, Sport and Culture (2004)Rethinking Globalization: Glocalization/Grobalization and Something/Nothing (2003)Automobilities (2004)GLOBALISING CITIZENSHIP EDUCATION? A CRITIQUE OF ‘GLOBAL EDUCATION’ AND ‘CITIZENSHIP EDUCATION’ (2005)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1970Ethnic Groups and Boundaries: The Social Organization of Culture Difference3,757 cited
  • 1972Ethnic Groups and Boundaries: The Social Organization of Culture Difference1,651 cited
  • 1990Understanding popular culture1,375 cited
  • 2006Understanding Popular Culture1,354 cited
  • 2010Subculture1,268 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 1996Undoing culture: globalization, postmodernism and identity696 cited
  • 1990Studying Popular Music606 cited
  • 1988Music and Society: The Politics of Composition, Performance and Reception.596 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 1997Identity, culture and the postmodern world553 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1997The Case against the global economy: and for a turn toward the local441 cited
  • 1993Postphenomenology: Essays in the Postmodern Context425 cited
  • 1995Ethnicity, Identity and Music. The Musical Construction of Place

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279 cited

Cited by

  • 2015Mexican Pointy Boots and the Tribal Scene: Global Appropriations of Local Cultural Practices in the Virtual Age3 cited
  • 2020The consumption of live music in different languages: a quantitative approach2 cited