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Study of the gilding technique used in polychromed stones and ceramics by dedicated laboratory-made micro X-ray diffraction and complementary techniques
16 references·6 citing·35 second hop
Study of the gilding technique used in polychromed stones and ceramics by dedicated laboratory-made micro X-ray diffraction and complementary techniques (2009)Study of the gilding technique used in po…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Multianalytical approach to the analysis of English polychromed alabaster sculptures: μRaman, μEDXRF, and FTIR spectroscopies (2008)Multianalytical approach to t…Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain (2008)Degradation of gold and false…Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Comparison between micro-Rama…A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two? 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A multi-analytical technique approach (2011)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging (2011)Plumbonacrite Identified by X‐ray Powder Diffraction Tomography as a Missing Link during Degradation of Red Lead in a Van Gogh Painting (2015)3. Lead White (1967)The material fabric of early British books (2011)Writing in the Insular world (2011)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)
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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2011Painting Materials: A Short Encyclopedia381 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 1960The craftsman's handbook : the Italian "Il libro dell' arte"120 cited
  • 2001The analysis of polychrome works of art: 40 years of infrared spectroscopic investigations117 cited
  • 2007Classification of lead white pigments using synchrotron radiation micro X-ray diffraction88 cited
  • 1999Minium; FT-Raman non-destructive analysis applied to an historical controversy65 cited
  • 1936The materials of medieval painting59 cited
  • 2006The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques56 cited
  • 2007Raman microscopy as a structural and analytical tool in the fields of art and archaeology54 cited
  • 2006Identification of the pigments on a sixteenth century Persian book of poetry by Raman microscopy50 cited
  • 2008Multianalytical approach to the analysis of English polychromed alabaster sculptures: μRaman, μEDXRF, and FTIR spectroscopies41 cited
  • 1998Effect of pollution on polychromed ceramic statues36 cited
  • 2008Degradation of gold and false golds used as gildings in the cultural heritage of Andalusia, Spain

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35 cited
  • 2004Investigation of the gilding technique in two post-Byzantine wall paintings using micro-analytical techniques33 cited
  • 2008A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two?33 cited
  • Cited by

    • 2011Non-invasive approach in the study of polychrome terracotta sculptures: employment of the portable XRF to investigate complex stratigraphy23 cited
    • 2013Non-invasive analytical techniques applied to characterize the components of ancient golden medallions21 cited
    • 2017Gildings from Andalusia: Materials used in different types of artworks along centuries19 cited
    • 2011Terracotta polychrome sculptures examined before and after their conservation work: contributions from non-invasive in situ analytical techniques17 cited
    • 2013Mineralogical Characterization of the Polychrome in Cultural Heritage Artifacts (Antiquity to Date) from Southern Spain Using Micro-Raman Spectroscopy and Complementary Techniques15 cited
    • 2022Investigation of Gold Gilding Materials and Techniques Applied in the Murals of Kizil Grottoes, Xinjiang, China14 cited