SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
"The eye finds no fixed point on which to rest ...”
3 references·10 citing·37 second hop
"The eye finds no fixed point on which to rest ...” (1982)"The eye finds no fixed point on which to…The Semiotics of Theatre and Drama (2003)The Semiotics of Theatre and …Structuralism and Semiotics (2002)Structuralism and SemioticsMinimal art: a critical anthology (1968)Minimal art: a critical antho…Performativity of the Memory of Religious Places through Sound and Image (2023)Performativity of the Memory …Opera as Hypermedium (2021)Opera as HypermediumIntroduction (2021)IntroductionDigital Fandom: Hamilton and the Participatory Spectator (2017)Digital Fandom: Hamilton and …Troublesome Professionals: On the speculative reality of theatrical labour (2013)Troublesome Professionals: On…Teatro y nuevas tecnologías: conceptos básicos (2008)Teatro y nuevas tecnologías: …Multi-media: Video – Installation – Performance (2007)Multi-media: Video – Installa…Apparatus, Attention, and the Body: The Theatre Machines of Boris Charmatz (2007)Apparatus, Attention, and the…The sound of meaning: theories of voice in twentieth-century thought and performance (2002)The sound of meaning: theorie…Of Closure and Convention: surpassing representation through performance and the referential (2002)Of Closure and Convention: su…Unmarked: The Politics of Performance (1994)The Language of New Media (2002)Liveness: performance in a mediatized culture (2008)El audiovisual en escena (2020)The Presentation of Self in Everyday Life. (1956)Speech Acts: An Essay in the Philosophy of Language (1969)How To Do Things With Words (1975)Fifth-century tragedy and Comedy: Asynkrisis (1986)The competence of theatre audiences in fifth- and fourth-century Athens (2006)Brand Performances in Social Media (2012)Performance Art: From Futurism to the Present (1988)Contingency, Irony, and Solidarity (1989)58. Contingency, Irony and Solidarity (2015)THE POLITICS OF AESTHETICS: THE DISTRIBUTION OF THE SENSIBLE (2005)Artificial hells: participatory art and the politics of spectatorship (2013)The Economics of the Performative Audience (2014)The Economic and Philosophical Manuscripts of 1844 (1844) (2018)English Play Development under Neoliberalism, 2000–2022 (2025)Understanding Media: The Extensions of Man (1964)The Postmodern Condition: A Report on Knowledge (1984)Place for Us: Essay on the Broadway Musical (1998)Fan Cultures (2003)Fan fiction and fan communities in the age of the Internet : new essays (2006)The “Phan”-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness (2018)“Does Anybody Have A Map?”: The Impact of “Virtual Broadway” on Musical Theater Composition (2021)TikTok Broadway (2024)Visual Pleasure and Narrative Cinema (1975)Narratology: introduction to the theory of narrative (1998)The Hidden Dimension (1973)Postmodernism, or, The cultural logic of late capitalism (1991)Designing performativity for mixed reality installations (2010)Immediation (2018)Reward Systems in Art, Science, and Religion (1976)Lévi-Strauss, Anthropology and Aesthetics (2007)Musical Witness and Holocaust Representation (2015)Social Theory of International Politics (1999)Methodology of the Oppressed (2010)
this work references cited by second hop

References

  • 2003The Semiotics of Theatre and Drama802 cited
  • 2002Structuralism and Semiotics533 cited
  • 1968Minimal art: a critical anthology105 cited

Cited by

  • 2007Multi-media: Video – Installation – Performance36 cited
  • 2017Digital Fandom: Hamilton and the Participatory Spectator20 cited
  • 2021Opera as Hypermedium18 cited
  • 2008Teatro y nuevas tecnologías: conceptos básicos12 cited
  • 2002Of Closure and Convention: surpassing representation through performance and the referential11 cited
  • 2013Troublesome Professionals: On the speculative reality of theatrical labour7 cited
  • 2002The sound of meaning: theories of voice in twentieth-century thought and performance7 cited
  • 2007Apparatus, Attention, and the Body: The Theatre Machines of Boris Charmatz5 cited
  • 2023Performativity of the Memory of Religious Places through Sound and Image2 cited
  • 2021Introduction2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work