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Can the Subaltern Be Seen? Photography and the Affects of Nationalism
16 references·6 citing·31 second hop
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this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2001Provincializing Europe: Postcolonial Thought and Historical Difference9,551 cited
  • 1993Mimesis and alterity: a particular history of the senses3,316 cited
  • 1994The Nation and Its Fragments3,314 cited
  • 1995Colonial Discourse and Post-Colonial Theory: A Reader2,366 cited
  • 1995Resistance and the Problem of Ethnographic Refusal1,880 cited
  • 1994Reading National Geographic684 cited
  • 1993"The Hour of Eugenics": Race, Gender, and Nation in Latin America.624 cited
  • 2000The Blood of Guatemala574 cited
  • 1990Reading American Photographs: Images as History, Mathew Brady to Walker Evans.340 cited
  • 1998Vision, Race, and Modernity: A Visual Economy of the Andean Image World339 cited
  • 1995Guatemala, linaje y racismo315 cited
  • 2001The Latin American Subaltern Studies Reader257 cited
  • 1994Anthropology and Photography 1860-1920.148 cited
  • 1995Dress and Ethnicity134 cited
  • 1996Weaving identities: construction of dress and self in a highland Guatemala town84 cited

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Cited by

  • 2009Toward Agency11 cited
  • 2015Photographs of a Prayer: The (Neglected) Visual Archive and Latin American Labor History8 cited
  • 2022Introduction. Portraits choisis, portraits subis2 cited
  • 2013Photography in the History of Race and Nation2 cited
  • 2023Muybridge and the Imperial Pacific: Fashioning Histories of Empire and the Coffee State, 1867–18761 cited
  • 2016Recife Novo: Envisioning Modernity in Pernambuco, 1920-19301 cited