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“Lux” gathers together a variety of essays, commentaries, interviews, scripts and artists’ projects representative of a decade of artists’ film and video. As the editors note, the book is intended to be a print analogue to the screening activities of Toronto’s Pleasure Dome, and to blur the distinction between the artist’s and the critic’s practice. Includes a chronology of Pleasure Dome’s film and video events from their inception in 1989 to 1999. Notes on contributors. Circa 95 bibl. ref.
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