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Total reflection X-ray fluorescence in the ultramicro analysis of artists' pigments
6 references·2 citing·24 second hop
Total reflection X-ray fluorescence in the ultramicro analysis of artists' pigments (1994)Total reflection X-ray fluorescence in th…Analytical characterization of artists' pigments used in old and modern paintings by total-reflection X-ray fluorescence (1993)Analytical characterization o…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Non-destructive pigment analy…Analyse non destructive des pigments par microsonde Raman laser: exemples de l'azurite et de la malachite (1984)Analyse non destructive des p…4 LEAD-TIN YELLOW (1968)4 LEAD-TIN YELLOWUltramarine Blue, Natural and Artificial (1966)Ultramarine Blue, Natural and…2. Ultramarine Blue, Natural and Artificial (1966)2. Ultramarine Blue, Natural …Infrared Spectra of U.S. Automobile Original Finishes. VII. Extended Range FT‐IR and XRF Analyses of Inorganic Pigments In Situ—Nickel Titanate and Chrome Titanate (2006)Infrared Spectra of U.S. Auto…Pigment identification in artwork using graphite furnace atomic absorption spectrometry (2004)Pigment identification in art…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)X-ray fluorescence spectrometry in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)MALACHITE AND GREEN VERDITER (1974)Examples of analysis of pigments from fine art objects by Raman microscopy (1994)Raman microscopy in art history and conservation science (2001)Pigment identification of an illuminated mediaeval manuscript De Civitate Dei by means of a portable Raman equipment (2014)Pigment investigation of a late-medieval manuscript with total reflection X-ray fluorescence and micro-Raman spectroscopy (1999)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)In Situ Identification and Analysis of Automotive Paint Pigments Using Line Segment Excitation Raman Spectroscopy: I. Inorganic Topcoat Pigments (2001)The influence of lead ions on the drying of oils (2005)Synthesizing lead antimonate in ancient and modern opaque glass (2011)Tin-based opacifiers in archaeological glass and ceramic glazes: a review and new perspectives (2018)Raman analysis of iron gall inks on parchment (2006)Analytical chemistry in the field of cultural heritage (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Evaluation of a Principal Components-Based Searching Algorithm for Raman Spectroscopic Identification of Organic Pigments in 20th Century Artwork (2001)Identification of pigments used on late 17th century Albanian icons by total reflection X-ray fluorescence and Raman microscopy (2005)Spectral Behavior of White Pigment Mixtures Using Reflectance, Ultraviolet—Fluorescence Spectroscopy, and Multispectral Imaging (2017)Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Mapping the pigment distribution of Vermeer’s Girl with a Pearl Earring (2020)Heat alterations to pigments painted in the fresco technique (1991)The Sibyls from the church of San Pedro Telmo: a micro‐Raman spectroscopic investigation (2014)The influence of light and relative humidity on the formation of epsomite in cadmium yellow and French ultramarine modern oil paints (2021)
this work references cited by second hop

References

  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy164 cited
  • 19662. Ultramarine Blue, Natural and Artificial99 cited
  • 19684 LEAD-TIN YELLOW78 cited
  • 1993Analytical characterization of artists' pigments used in old and modern paintings by total-reflection X-ray fluorescence52 cited
  • 1984Analyse non destructive des pigments par microsonde Raman laser: exemples de l'azurite et de la malachite52 cited
  • 1966Ultramarine Blue, Natural and Artificial37 cited

Cited by

  • 2006Infrared Spectra of U.S. Automobile Original Finishes. VII. Extended Range FT‐IR and XRF Analyses of Inorganic Pigments In Situ—Nickel Titanate and Chrome Titanate24 cited
  • 2004Pigment identification in artwork using graphite furnace atomic absorption spectrometry12 cited

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