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In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra
16 references·16 citing·27 second hopsampled
In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra (2012)In situ noninvasive Raman microspectrosco…In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)In Situ Noninvasive Study of …Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Characterization of Lapis Laz…Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Comparison between micro-Rama…Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Analysis of natural and artif…Raman Spectrometry, a Unique Tool to Analyze and Classify Ancient Ceramics and Glasses (2007)Raman Spectrometry, a Unique …Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…On-site Raman identification and dating of ancient/modern stained glasses at the Sainte-Chapelle, Paris (2007)On-site Raman identification …A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Investigation of degradation mechanisms by portable Raman spectroscopy and thermodynamic speciation: The wall painting of Santa María de Lemoniz (Basque Country, North of Spain) (2006)Investigation of degradation …Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)Blackening of Pompeian Cinnab…In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy (2005)In situ analysis of mediaeval…Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)Analytical Imaging Studies Cl…A new instrument adapted to in situ Raman analysis of objects of art (2004)A new instrument adapted to i…Raman microscopy of Greek icons: identification of unusual pigments (2003)Raman microscopy of Greek ico…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Advanced X-ray techniques to …The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)The combined use of SEM-EDX, …Time through colors: A kinetic model of red vermilion darkening from Raman spectra (2020)Time through colors: A kineti…New evidence for the intentional use of calomel as a white pigment (2020)New evidence for the intentio…Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments (2020)Natural or synthetic? Simulta…Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite) (2020)Darkening of lead‐ and iron‐b…Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology (2019)Raman and Fourier transform i…Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue-and-White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments (2019)Handheld X-ray Fluorescence (…Evaluation of carbon-based nanostructures suitable for the development of black pigments and glazes (2019)Evaluation of carbon-based na…Romantic restorations in the A lhambra monument: S pectroscopic characterization of decorative plasterwork in the R oyal B aths of C omares (2018)Romantic restorations in the …Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings (2018)Portable and laboratory analy…In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble (2016)In situ Raman spectroscopic s…Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging (2014)Identification of lipidic bin…Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork (2014)Gold in the Alhambra: study o…Decorated plasterwork in the Alhambra investigated by Raman spectroscopy: comparative field and laboratory study (2014)Decorated plasterwork in the …Crocoite PbCrO4 and mimetite Pb5(AsO4)3Cl: rare minerals in highly degraded mediaeval murals in Northern Bohemia (2014)Crocoite PbCrO4 and mimetite …Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Characterization of illuminated manuscripts by laboratory-made portable XRD and micro-XRD systems (2009)Recent progress in instrumental techniques for architectural heritage materials (2019)Pigments—Iron-based red, yellow, and brown ochres (2022)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Natron as a flux in the early vitreous materials industry: sources, beginnings and reasons for decline (2005)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)Nondestructive on‐site identification of ancient glasses: genuine artefacts, embellished pieces or forgeries? (2008)The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Modern analytical methods in art and archaeology (2000)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Raman spectroscopy as a tool to diagnose the impact and conservation state of Pompeian second and fourth style wall paintings exposed to diverse environments (House of Marcus Lucretius) (2010)Cinnabar reviewed: characterization of the red pigment and its reactions (2014)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)The ID21 X-ray and infrared microscopy beamline at the ESRF: status and recent applications to artistic materials (2016)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
  • 2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
  • 2007On-site Raman identification and dating of ancient/modern stained glasses at the Sainte-Chapelle, Paris116 cited
  • 2005In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy104 cited
  • 2006Investigation of degradation mechanisms by portable Raman spectroscopy and thermodynamic speciation: The wall painting of Santa María de Lemoniz (Basque Country, North of Spain)104 cited

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2007
Raman Spectrometry, a Unique Tool to Analyze and Classify Ancient Ceramics and Glasses
104 cited
  • 2004A new instrument adapted to in situ Raman analysis of objects of art95 cited
  • 2009Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing90 cited
  • 2003Raman microscopy of Greek icons: identification of unusual pigments70 cited
  • Cited by

    • 2020Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite)44 cited
    • 2021The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades42 cited
    • 2014Decorated plasterwork in the Alhambra investigated by Raman spectroscopy: comparative field and laboratory study35 cited
    • 2020Natural or synthetic? Simultaneous Raman/luminescence hyperspectral microimaging for the fast distinction of ultramarine pigments33 cited
    • 2018Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings31 cited
    • 2014Crocoite PbCrO4 and mimetite Pb5(AsO4)3Cl: rare minerals in highly degraded mediaeval murals in Northern Bohemia30 cited
    • 2020New evidence for the intentional use of calomel as a white pigment27 cited
    • 2019Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue-and-White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments25 cited
    • 2020Time through colors: A kinetic model of red vermilion darkening from Raman spectra24 cited
    • 2014Gold in the Alhambra: study of materials, technologies, and decay processes on decorative gilded plasterwork23 cited
    • 2018Romantic restorations in the A lhambra monument: S pectroscopic characterization of decorative plasterwork in the R oyal B aths of C omares20 cited
    • 2019Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology18 cited
    • 2025Advanced X-ray techniques to study the alteration of pigments in paintings17 cited
    • 2016In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble15 cited
    • 2014Identification of lipidic binding media in plasterwork decorations from the Alhambra using GC–MS and chemometrics: Influence of pigments and aging15 cited
    • 2019Evaluation of carbon-based nanostructures suitable for the development of black pigments and glazes14 cited