SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Two Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered Constraints
9 references·0 citing·24 second hop
Two Antilynching Art Exhibitions: Politicized Viewpoints, Racial Perspectives, Gendered Constraints (2006)Two Antilynching Art Exhibitions: Politic…The Harlem Renaissance (2004)The Harlem RenaissanceThe Body Imaged: The Human Form and Visual Culture Since the Renaissance (2000)The Body Imaged: The Human Fo…Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America (2000)Standing Soldiers, Kneeling S…Terrible Honesty: Mongrel Manhattan in the 1920s (1996)Terrible Honesty: Mongrel Man…Art on My Mind: Visual Politics (1996)Art on My Mind: Visual Politi…A Festival of Violence: An Analysis of Southern Lynchings, 1882-1930. (1996)A Festival of Violence: An An…Black Male: Representations of Masculinity in Contemporary American Art (1994)Black Male: Representations o…The Expanding Discourse: Feminism and Art History (1993)The Expanding Discourse: Femi…Exorcising Blackness: Historical and Literary Lynching and Burning Rituals. (1985)Exorcising Blackness: Histori…The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition (2003)Behold the Corpse: Violent Images and the Case of Emmett Till (2005)On Human Kinds and Role Models: A Critical Discussion about the African American Male Teacher (2012)Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place (2001)Making Place, Making Race: Performances of Whiteness in the Jim Crow South (2003)Between Archive and Participation: Public Memory in a Digital Age (2007)Studying Hate Crime with the Internet: What Makes Racists Advocate Racial Violence? (2002)Ballot Manipulation and the “Menace of Negro Domination”: Racial Threat and Felon Disenfranchisement in the United States, 1850–2002 (2003)The Changing Racial and Ethnic Composition of the US Population: Emerging American Identities (2009)Reputational Entrepreneurs and the Memory of Incompetence: Melting Supporters, Partisan Warriors, and Images of President Harding (1996)Are Ghettos Good or Bad? (1997)Modernism and the Ordinary (2009)Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 (2015)Violence and the contemporary soldiering body (2017)How the Eyes Connect to the Heart: The Influence of Eye Gaze Direction on Advertising Effectiveness (2020)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Constructing an artistic identity (2005)Why the Arts Don't Do Anything: Toward a New Vision for Cultural Production in Education (2013)Hitler's airwaves: the inside story of Nazi radio broadcasting and propaganda swing (1997)Feminist Cultural Literacy (2002)The Prison Slave as Hegemony’s (Silent) Scandal (2007)As Above, So Below: Anti‐Black Violence as Environmental Racism (2018)Bodyworlds: The Art of Plastinated Cadavers (2001)Identifying the patient in George W Lambert'sChesham Street (2013)
this work references cited by second hop

References

  • 1996Art on My Mind: Visual Politics459 cited
  • 1996Terrible Honesty: Mongrel Manhattan in the 1920s451 cited
  • 1996A Festival of Violence: An Analysis of Southern Lynchings, 1882-1930.308 cited
  • 1985Exorcising Blackness: Historical and Literary Lynching and Burning Rituals.302 cited
  • 1994Black Male: Representations of Masculinity in Contemporary American Art261 cited
  • 2000Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America194 cited
  • 1993The Expanding Discourse: Feminism and Art History162 cited
  • 2004The Harlem Renaissance35 cited
  • 2000The Body Imaged: The Human Form and Visual Culture Since the Renaissance23 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work