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Style and Authenticity in the Motets of Claudin de Sermisy
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Style and Authenticity in the Motets of Claudin de Sermisy (1998)Style and Authenticity in the Motets of C…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547) (1995)Musical Patronage in the Roya…France in the Sixteenth Century (1995)France in the Sixteenth Centu…Themes of Exile in Willaert's "Musica nova" (1994)Themes of Exile in Willaert's…The Motet books of Andrea Antico (1986)The Motet books of Andrea Ant…The New Grove Dictionary of Music and Musicians (1982)The New Grove Dictionary of M…Notes on the Origin of the Parisian Chanson (1982)Notes on the Origin of the Pa…The concise Oxford history of music (1979)The concise Oxford history of…Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-1520 (1979)Jean Mouton and Jean Michel: …Music from the Middle Ages to the Renaissance (1975)Music from the Middle Ages to…A Gift of Madrigals and Motets (1972)A Gift of Madrigals and MotetsThe New Oxford History of Music (1969)The New Oxford History of Mus…French Music in the Fifteenth and Sixteenth Centuries (1969)French Music in the Fifteenth…Sacrorum Conciliorum Nova, Et Amplissima Collectio (1960)Sacrorum Conciliorum Nova, Et…Music in the Renaissance (1954)Music in the RenaissanceGeschichte der Musik (1881)Geschichte der MusikA History of Western Music (1960)The Chanson Albums of Marguerite of Austria (1965)Art-Song Reworkings: An Overview (1994)Who Was “Prioris”? A Royal Composer Recovered (2012)La théorie de la musique (2017)The Italian Madrigal (2019)A Newly Discovered Sixteenth-Century Motet Manuscript at the Biblioteca Vallicelliana in Rome (1950)THE MODERN INVENTION OF THE ‘TENORLIED’: A HISTORIOGRAPHY OF THE EARLY GERMAN LIED SETTING (2013)The Requiem of Tomás Luis de Victoria (1603) (2019)Politics: Theory and Practice (1998)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Popes and Councils (1998)Scotland: 1406–1513 (1998)Yorkist and Early Tudor England (1998)Discant, Counterpoint, and Harmony (1962)Art As Collective Action (1974)On Compositional Process in the Fifteenth Century (1987)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)The Marriage of Edward III and the Transmission of French Motets to England (1992)The earliest writing? Sign use in the seventh millennium BC at Jiahu, Henan Province, China (2003)Phylogenetics and Material Cultural Evolution (2007)The singing of Homer and the modes of early Greek music (1981)The Science of Harmonics in Classical Greece (2007)Britten's unquiet pasts: sound and memory in postwar reconstruction (2013)The Cambridge History of Medieval Political Thought c.350–c.1450 (1988)The Cambridge History of Renaissance Philosophy (1988)Law in the Crisis of Empire 379-455 AD (1998)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1960Sacrorum Conciliorum Nova, Et Amplissima Collectio795 cited
  • 1982The New Grove Dictionary of Music and Musicians200 cited
  • 1954Music in the Renaissance149 cited
  • 1969The New Oxford History of Music76 cited
  • 1969French Music in the Fifteenth and Sixteenth Centuries66 cited
  • 1982Notes on the Origin of the Parisian Chanson56 cited
  • 1975Music from the Middle Ages to the Renaissance54 cited
  • 1881Geschichte der Musik44 cited
  • 1995France in the Sixteenth Century37 cited
  • 1972A Gift of Madrigals and Motets35 cited
  • 1995Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547)32 cited
  • 1986The Motet books of Andrea Antico29 cited
  • 1979Jean Mouton and Jean Michel: New Evidence on French Music and Musicians in Italy, 1505-152025 cited
  • 1979The concise Oxford history of music24 cited
  • 1994Themes of Exile in Willaert's "Musica nova"22 cited

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