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On The Clock and Christian Marclay’s Instrumental Logic of Appropriation
16 references·1 citing·30 second hop
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this work references cited by second hop

References

  • 2020Dialectic of Enlightenment5,765 cited
  • 2002The Language of New Media5,017 cited
  • 2000Potentialities: collected essays in philosophy987 cited
  • 1947Eclipse of Reason723 cited
  • 2004An Archival Impulse595 cited
  • 2004Theories of the Archive from Across the Disciplines491 cited
  • 1985Recodings: Art, Spectacle, Cultural Politics415 cited
  • 1972Aby Warburg: An Intellectual Biography334 cited
  • 1990Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions302 cited
  • 1981The Traffic in Photographs244 cited
  • 1998The Art of art history: a critical anthology229 cited
  • 2004Aby Warburg and the Image in Motion214 cited
  • 2021Recycled Images: the Art and Politics of Found Footage Films164 cited
  • 1999Gerhard Richter's "Atlas": The Anomic Archive107 cited
  • 2003The Photography Reader97 cited
  • 2004Harun Farocki : Working on the Sight-Lines80 cited

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  • 2021

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A Supercut of Supercuts: Aesthetics, Histories, Databases
7 cited