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Raman microscopy of Greek icons: identification of unusual pigments
6 references·16 citing·38 second hop
Raman microscopy of Greek icons: identification of unusual pigments (2003)Raman microscopy of Greek icons: identifi…An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)An extensive non‐destructive …Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy (2000)Pigment Identification in Pai…Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Artists' Pigments: A Handbook…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Characterization of Pararealg…Pigments—Arsenic-based yellows and reds (2021)Pigments—Arsenic-based yellow…Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials (2018)Study of dry‐ and wet‐process…Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments (2016)Analysis of artist’s palette …The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)The detection of copper resin…In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra (2012)In situ noninvasive Raman mic…A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)A study of 18th century Copti…Material Aspects of Icons. A Review on Physicochemical Studies of Greek Icons (2010)Material Aspects of Icons. A …Raman analysis of ancient pigments on a tile from the Citadel of Algiers (2008)Raman analysis of ancient pig…Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin (2008)Characterization of paint and…Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)Trace Element Fingerprinting …Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises (2007)Application of Raman microsco…The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques (2006)The fading of red lead pigmen…Improvements in the wallpaper industry during the second half of the 19th century: Micro-Raman spectroscopy analysis of pigmented wallpapers (2005)Improvements in the wallpaper…Identification of pigments used on late 17th century Albanian icons by total reflection X-ray fluorescence and Raman microscopy (2005)Identification of pigments us…Data fusion and dual-domain classification analysis of pigments studied in works of art (2005)Data fusion and dual-domain c…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Corrosion of ancient Chinese bronze money trees studied by Raman microscopy (1999)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Painting Materials: A Short Encyclopedia (2011)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Panselinos’ Byzantine wall paintings in the Protaton Church, Mount Athos, Greece: a technical examination (2000)Red lead darkening in wall paintings: natural ageing of experimental wall paintings versus artificial ageing tests (2007)Advances in Raman mapping of works of art (2010)Insights into the composition of ancient Egyptian red and black inks on papyri achieved by synchrotron-based microanalyses (2020)Obsidian Characterization by Laser Ablation ICP-MS and its Application to Prehistoric Trade in the Mediterranean and the Near East: Sources and Distribution of Obsidian within the Aegean and Anatolia (1999)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Taphonomy Or Paint Recipe: In situ portable x-ray fluorescence analysis of two anthropomorphic motifs from the Woronora Plateau, New South Wales (2012)One Colour, (at Least) Two Minerals: A Study of Mulberry Rock Art Pigment and a Mulberry Pigment ‘Quarry’ from the Kimberley, Northern Australia (2013)Blombos Cave: Middle Stone Age ochre differentiation through FTIR, ICP OES, ED XRF and XRD (2015)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification (1997)Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts (2008)Infrared Spectroscopy in Conservation Science (2000)On‐site Raman study of artwork: Procedure and illustrative examples (2017)Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China) (2017)Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite) (2020)Raman microscopy in archaeological science (2004)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Mortars and plasters—How mortars were made. The literary sources (2021)Mortars, plasters and pigments—research questions and sampling criteria (2021)Wall paintings through the ages: the roman period—Republic and early Empire (2021)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)The use of microspectrofluorimetry for the characterization of lake pigments (2007)Chromatic alterations of red lead pigments in artworks: a review (2008)Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC (2012)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 1999Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3144 cited
  • 1996Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy127 cited
  • 2000Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy110 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited

Cited by

  • 2007Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art*64 cited
  • 2016Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments61 cited
  • 2006The fading of red lead pigment in wall paintings: tracking the physico-chemical transformations by means of complementary micro-analysis techniques56 cited
  • 2021Pigments—Arsenic-based yellows and reds55 cited
  • 2012In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra55 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works

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52 cited
  • 2014The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy45 cited
  • 2008Raman analysis of ancient pigments on a tile from the Citadel of Algiers44 cited
  • 2005Identification of pigments used on late 17th century Albanian icons by total reflection X-ray fluorescence and Raman microscopy44 cited
  • 2007Application of Raman microscopy to the characterization of different verdigris variants obtained using recipes from old treatises40 cited
  • 2008Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin32 cited
  • 2005Improvements in the wallpaper industry during the second half of the 19th century: Micro-Raman spectroscopy analysis of pigmented wallpapers31 cited
  • 2012A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings29 cited
  • 2005Data fusion and dual-domain classification analysis of pigments studied in works of art28 cited
  • 2010Material Aspects of Icons. A Review on Physicochemical Studies of Greek Icons27 cited
  • 2018Study of dry‐ and wet‐process amorphous arsenic sulfides: Synthesis, Raman reference spectra, and identification in historical art materials27 cited