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Evaluation of the veracity of one work by the artist Di Cavalcanti through non-destructive techniques: XRF, imaging and brush stroke analysis
2 references·3 citing·23 second hop
Evaluation of the veracity of one work by the artist Di Cavalcanti through non-destructive techniques: XRF, imaging and brush stroke analysis (2013)Evaluation of the veracity of one work by…Analytical Techniques in Materials Conservation (2007)Analytical Techniques in Mate…A new methodology for comparing IR reflectographic systems (2006)A new methodology for compari…Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art (2020)Non-Destructive and portable …Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)Mobile Spectroscopic Instrume…Wide area scanning system and carbon microbeams at the external microbeam facility of the INFN LABEC laboratory in Florence (2015)Wide area scanning system and…REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)A Scanning Device for Infrared Reflectography (1990)Improved visualization of underdrawings with solid-state detectors operating in the infrared (1994)Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review (2013)Identification of pigments by multispectral imaging; a flowchart method (2014)Metastructure of illuminations by infrared thermography (2017)Advantages of scanning-mode ion beam analysis for the study of Cultural Heritage (2007)Elemental 2D imaging of paintings with a mobile EDXRF system (2010)X-ray fluorescence imaging system for fast mapping of pigment distributions in cultural heritage paintings (2013)The mission of the INFN-Cultural Heritage Network: the multifaceted example of the Macro-XRF scanner experience (2023)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Characterizing the pigments and paints of prehistoric artists (2021)Painting Materials : a Short Encyclopedia (1943)Painting Materials: A Short Encyclopedia (2011)Conservation of Easel Paintings (2013)Non-Invasive Study of the Pigments of a Painting on Copper with the Inscription “Boceto di Pablo Veronese” on the Back (2023)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Vegetable Tannins Used in the Manufacture of Historic Leathers (2018)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)
this work references cited by second hop

References

  • 2007Analytical Techniques in Materials Conservation267 cited
  • 2006A new methodology for comparing IR reflectographic systems52 cited

Cited by

  • 2016Mobile Spectroscopic Instrumentation in Archaeometry Research120 cited
  • 2020Non-Destructive and portable analyses helping the study and conservation of a Saraceni copper plate painting in the São Paulo museum of art18 cited
  • 2015Wide area scanning system and carbon microbeams at the external microbeam facility of the INFN LABEC laboratory in Florence7 cited

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