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‘Japanese music’ can be popular
4 references·5 citing·27 second hop
‘Japanese music’ can be popular (2002)‘Japanese music’ can be popularOutline of a Theory of Practice (2007)Outline of a Theory of Practi…3.2. MARXISM AND LITERATURE (2006)3.2. MARXISM AND LITERATUREStructure, Context, and Strategy in Musical Ethnography (1990)Structure, Context, and Strat…Outline of a Theory of Practice. (1980)Outline of a Theory of Practi…The Transformation of the Ethnic Pop Music Industry and the Negotiation of Cultural Identity (2023)The Transformation of the Eth…The logic of distinctions in the Hungarian jazz field: a case study (2020)The logic of distinctions in …Irasshai! Sonic Practice as Commercial Enterprise in Urban Japan (2016)Irasshai! Sonic Practice as C…'Simple unchanging stories about things we already know': Japanese youth and popular songs (2012)'Simple unchanging stories ab…Fence, flavor, and phantasm: Japanese musicians and the meanings of ‘Japaneseness’ (2004)Fence, flavor, and phantasm: …The borderless world: Power and strategy in the interlinked economy (1991)Discourses of the Vanishing (1995)International Herald Tribune (2009)Content Analysis: An Introduction to its Methodology. (1984)Social Research Methods: Qualitative and Quantitative Approaches (1991)Subculture: The Meaning of Style (1995)“the past is far and the future is far”: power and performance among Zulu migrant workers (1992)5. The Practice of Everyday Life (2000)Music and Conflict: Interdisciplinary Perspectives (2010)Making string education culturally responsive: The musical lives of African American children (2014)Selections from the prison notebooks of Antonio Gramsci (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Early pop song writers and their backgrounds (1991)The Discovery of Grounded Theory: Strategies for Qualitative Research. (1968)An Invitation to Reflexive Sociology. (1993)Marxism and Literature (1978)States of denial: knowing about atrocities and suffering (2001)Power (2005)A Theory of Structure: Duality, Agency, and Transformation (1992)The Extended Case Method (1998)Bridging Epistemologies: The Generative Dance Between Organizational Knowledge and Organizational Knowing (1999)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Analysing Discourse: Textual Analysis for Social Research (2003)Cruising utopia: the then and there of queer futurity (2010)Culture in Action: Symbols and Strategies (1986)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)
this work references cited by second hop

References

  • 1980Outline of a Theory of Practice.14,545 cited
  • 2007Outline of a Theory of Practice5,527 cited
  • 20063.2. MARXISM AND LITERATURE4,509 cited
  • 1990Structure, Context, and Strategy in Musical Ethnography27 cited

Cited by

  • 2004Fence, flavor, and phantasm: Japanese musicians and the meanings of ‘Japaneseness’5 cited
  • 2020The logic of distinctions in the Hungarian jazz field: a case study4 cited
  • 2012'Simple unchanging stories about things we already know': Japanese youth and popular songs3 cited
  • 2016Irasshai! Sonic Practice as Commercial Enterprise in Urban Japan3 cited
  • 2023The Transformation of the Ethnic Pop Music Industry and the Negotiation of Cultural Identity2 cited

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