MARKETING THE VOICE: OPERA, FILM, AND THE CASE OF ROBERT ALTMAN

Gayle Sherwood Magee

2 citations0/0 files storedTheatre Survey

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Cinema History and Criticism Theater, Performance, and Music History

Abstract

In 2004, the Lyric Opera of Chicago celebrated two milestones: its fiftieth anniversary and the premiere of A Wedding . With music and libretto by Pulitzer Prize–winning composer William Bolcom, film director Robert Altman, and Arnold Weinstein, the opera received intense international coverage. Prepremiere articles, major features, interviews, and reviews appeared in Opera Now, Opernwelt, Opera , and Opera Quarterly. The Lyric's A Wedding dominated the August issue of Opera News , occupying the cover and several features, complete with glossy photos of the photogenic young leads dressed in luxurious wedding attire (see Figure 1).

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 2 citations exist upstream.

References

2006A Theory of Adaptation 2013Contemporary Hollywood Cinema 1993Film theory goes to the movies 2009Film Adaptation and Its Discontents 1991Flashbacks in Film: Memory and History 1999Hollywood and Europe: economics, culture, national identity, 1945-95 1992Film Theory Goes to the Movies 1996Jammin' at the margins: jazz and the American cinema

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.