SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Failure to fuse
8 references·1 citing·24 second hop
Failure to fuse (2007)Failure to fuseRock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers (2005)Rock Criticism from the Begin…Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 (2004)Hipsters, Bluebloods, Rebels,…The Cambridge companion to jazz (2003)The Cambridge companion to ja…Fusions and crossovers (2003)Fusions and crossoversJazz Cultures (2002)Jazz CulturesBetween Montmartre and the Mudd Club (2002)Between Montmartre and the Mu…Miles Davis and American culture (2001)Miles Davis and American cult…Rock and roll will stand (1969)Rock and roll will stand“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics (2013)“Nobody Likes Rock and Roll b…CULTURE AND SOCIETY (1959)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Musical identities of professional jazz musicians: a focus group investigation (2005)The Relevance of Husserl's Theory to Language Socialization (2009)Music and Ethical Responsibility (2014)Uri Caine’s Mahler: Jazz, Tradition, and Identity (2007)Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz. (2008)The Nature of Nordic Music (2019)Landing on the Wrong Note: The Price We Paid for Brown (2004)Communities of practice in the conservatory: learning with a professional musician (2015)Informal in formal: The relationship of informal and formal learning in popular and jazz music master workshops in conservatoires (2015)The Neighborhood in Cultural Production: Material and Symbolic Resources in the New Bohemia (2004)Classification as Culture: Types and Trajectories of Music Genres (2008)The economy of live music in the digital age (2010)Another boring day in paradise: rock and roll and the empowerment of everyday life (1984)Producing Artistic Value: The Case of Rock Music (1994)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Popular Music Fanzines: Genre, Aesthetics, and the “Democratic Conversation” (2010)The Evaluation of Popular Music in the United States, Germany and the Netherlands: A Comparison of the Use of High Art and Popular Aesthetic Criteria (2010)The Cambridge History of Music Criticism (2019)Exclusion, Openness, and Utopia In Black Male Performance at the World Stage Jazz Jam Sessions (2008)IDENTITY FOR SALE: (2008)SEPARATED AT “BIRTH”: (2008)
this work references cited by second hop

References

  • 2002Between Montmartre and the Mudd Club192 cited
  • 2002Jazz Cultures142 cited
  • 2005Rock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers114 cited
  • 2003The Cambridge companion to jazz88 cited
  • 1969Rock and roll will stand67 cited
  • 2001Miles Davis and American culture52 cited
  • 2003Fusions and crossovers19 cited
  • 2004Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–19604 cited

Cited by

  • 2013“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work