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The changing charismatic status of the performing male body in Asian martial arts films
16 references·0 citing·36 second hop
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References

  • 1998Globalization: The Human Consequences3,945 cited
  • 1997The Viewer Society770 cited
  • 1991For a Sociology of the Body: An Analytical Review380 cited
  • 1997Oriental enlightenment: the encounter between Asian and Western thought374 cited
  • 1968Max Weber on Charisma and Institution Building215 cited
  • 2006Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger108 cited
  • 2005Taiwan Film Directors: A Treasure Island105 cited
  • 1999City on Fire: Hong Kong Cinema79 cited
  • 2006Asian cinemas: a reader and guide64 cited
  • 2001KUNG FU: NEGOTIATING NATIONALISM AND MODERNITY60 cited
  • 2006Themes of Whiteness in Bulletproof Monk, Kill Bill, and The Last Samurai53 cited
  • 2000Bruce Lee's Fictional Models of Masculinity48 cited
  • 2001FIGURES OF HOPE AND THE FILMIC IMAGINARY OF JIANGHU IN CONTEMPORARY HONG KONG CINEMA47 cited
  • 2004Reflexive Modernization and the Disembedding of Jūdō from 1946 to the 2000 Sydney Olympics42 cited
  • 1991The Code of the Warrior in History, Myth, and Everyday Life25 cited
  • 2006Tales of Upward Mobility

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