SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Love Between ‘Beautiful Boys' in Japanese Women's Comics
7 references·16 citing·36 second hop
The Love Between ‘Beautiful Boys' in Japanese Women's Comics (2000)The Love Between ‘Beautiful Boys' in Japa…Permitted and Prohibited DesiresMothers, Comics, and Censorship in Japan (2000)Permitted and Prohibited Desi…Takarazuka: Sexual Politics and Popular Culture in Modern Japan (1999)Takarazuka: Sexual Politics a…TakarazukaSexual Politics and Popular Culture in Modern Japan (1998)TakarazukaSexual Politics and…Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan (1997)Permitted and Prohibited Desi…Marketing the Menacing Fetus in Japan (1997)Marketing the Menacing Fetus …The Japanese Woman: Traditional Image and Changing Reality. (1994)The Japanese Woman: Tradition…Pollution in the Folk Belief System (1987)Pollution in the Folk Belief …Masculinities in Chinese boys’ love stories: female imaginations, market forces and state influence (2024)Masculinities in Chinese boys…Dual ambivalence: The Untamed Girls as a counterpublic (2022)Dual ambivalence: The Untamed…Contemporary Danmei Fiction and Its Similitudes with Classical and Yanqing Literature (2021)Contemporary Danmei Fiction a…Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama— S.C.I. Mystery (2020)Who is the Counterpublic? Bro…Officially Sanctioned Adaptation and Affective Fan Resistance: The Transmedia Convergence of the Online Drama Guardian in China (2019)Officially Sanctioned Adaptat…When Feminist Falls in Love with Queer: Dan Mei Culture as a Transnational Apparatus of Love (2017)When Feminist Falls in Love w…Counterpublic but obedient: a case of Taiwan’s BL fandom (2016)Counterpublic but obedient: a…Media Reflexivity and Taste: Chinese Slash Fans' Queering of European Football (2015)Media Reflexivity and Taste: …Censorship and Circumvention in China: How Danmei Writers ‘Drive a Car’ on Jinjiang (2015)Censorship and Circumvention …Male Homosexuality in The King and the Clown: Hybrid Construction and Contested Meanings (2013)Male Homosexuality in The Kin…Komunitas Fujoshi Di Kalangan Perempuan Indonesia (2012)Komunitas Fujoshi Di Kalangan…Girls who love boys' love: Japanese homoerotic manga as trans-national Taiwan culture (2012)Girls who love boys' love: Ja…Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female Readers (2009)Japanese Boy-Love Manga and t…Revolutionary Romance: The Rose of Versailles and the Transformation of Shojo Manga (2007)Revolutionary Romance: The Ro…No Climax, No Point, No Meaning? Japanese Women's Boy-Love Sites on the Internet (2000)No Climax, No Point, No Meani…Is there a Japanese 'gay identity'? (2000)Is there a Japanese 'gay iden…Manga! Manga! The World of Japanese Comics (1984)Textual poachers : television fans & participatory culture (1992)Women, Media and Consumption in Japan (1997)I Knew It Was Me (2003)Syncretism and Synchronicity (2003)Pornography in small places and other spaces (2004)Marxism and Literature (1977)Club cultures: music, media and subcultural capital (1996)Publics and counterpublics (2003)Theorising the role of cultural products in cultural diplomacy from a Cultural Studies perspective (2014)Girl power in boy love: Yaoi, online female counterculture, and digital feminism in China (2020)Fan Conflicts and State Power in China: Internalised Heteronormativity, Censorship Sensibilities, and Fandom Police (2022)Film and the Masquerade: Theorising the Female Spectator (1982)Narration in the Fiction Film (1986)Beyond the soundtrack: representing music in cinema (2008)Brand Nohomonationalism: Guofeng (‘National Style’) Framings of Boys’ Love Television Series in China (2022)Masculinity in crisis? Reticent / han-xu politics against danmei and male effeminacy (2023)Publics and Counterpublics (2002)Queer women in urban China an ethnography (2014)Empowered (2018)Co-Constructing a Gender–State Entanglement in Canonical Three Kingdoms Fandom: A Discourse-Historical Approach (2023)Ambivalent desiring subjects: Young women, agency and post-(socialist-)feminist sensibilities in China (2025)Family Systems Theory, Attachment Theory, and Culture * (2002)Commodities and Sexual Subjectivities: A Look at Capitalism and Its Desires (2004)Queer Studies in the House of Anthropology (2007)Smoke-Filled Wombs and Fragile Fetuses: The Social Politics of Fetal Representation (2000)Buddhist Women and Social Justice: Ideals, Challenges, and Achievements (2004)Meme Infection or Religious Niche Construction? An Adaptationist Alternative to The Cultural Maladaptationist Hypothesis (2008)ROMANCING THE TRANSGENDER NATIVE (2002)The Rise of Eating Disorders in Japan: Issues of Culture and Limitations of the Model of ?westernization? (2004)Real time: Unwinding technocratic and anthropological knowledge (2004)FAST CAPITALISM: (2006)Culture and Conflict (2000)The Development of Close Relationships in Japan and the United States: Paths of Symbiotic Harmony and Generative Tension (2000)Transgenderism, Locality, and the Miss Galaxy beauty pageant in Tonga (2002)Beautiful, Borrowed, and Bent: “Boys’ Love” as Girls’ Love inShôjo Manga (2006)
this work references cited by second hop

References

  • 1998TakarazukaSexual Politics and Popular Culture in Modern Japan297 cited
  • 2000Permitted and Prohibited DesiresMothers, Comics, and Censorship in Japan201 cited
  • 1999Takarazuka: Sexual Politics and Popular Culture in Modern Japan175 cited
  • 1994The Japanese Woman: Traditional Image and Changing Reality.158 cited
  • 1997Permitted and Prohibited Desires: Mothers, Comics, and Censorship in Japan128 cited
  • 1997Marketing the Menacing Fetus in Japan92 cited
  • 1987Pollution in the Folk Belief System22 cited

Cited by

  • 2012Girls who love boys' love: Japanese homoerotic manga as trans-national Taiwan culture70 cited
  • 2000No Climax, No Point, No Meaning? Japanese Women's Boy-Love Sites on the Internet54 cited
  • 2022Dual ambivalence: The Untamed Girls as a counterpublic42 cited
  • 2020Who is the Counterpublic? Bromance-as-Masquerade in Chinese Online Drama— S.C.I. Mystery41 cited
  • 2000Is there a Japanese 'gay identity'?38 cited
  • 2017When Feminist Falls in Love with Queer: Dan Mei Culture as a Transnational Apparatus of Love37 cited
  • 2019Officially Sanctioned Adaptation and Affective Fan Resistance: The Transmedia Convergence of the Online Drama Guardian in China26 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2015
Media Reflexivity and Taste: Chinese Slash Fans' Queering of European Football
21 cited
  • 2009Japanese Boy-Love Manga and the Global Fandom: A Case Study of Chinese Female Readers16 cited
  • 2016Counterpublic but obedient: a case of Taiwan’s BL fandom15 cited
  • 2007Revolutionary Romance: The Rose of Versailles and the Transformation of Shojo Manga14 cited
  • 2015Censorship and Circumvention in China: How Danmei Writers ‘Drive a Car’ on Jinjiang10 cited
  • 2012Komunitas Fujoshi Di Kalangan Perempuan Indonesia10 cited
  • 2013Male Homosexuality in The King and the Clown: Hybrid Construction and Contested Meanings8 cited
  • 2024Masculinities in Chinese boys’ love stories: female imaginations, market forces and state influence7 cited
  • 2021Contemporary Danmei Fiction and Its Similitudes with Classical and Yanqing Literature6 cited