SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media
1 references·16 citing·46 second hop
The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)The Effects of Some Common Pigments on th…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…Resistance to artificial daylight of paints used in urban artworks. Influence of paint composition and substrate (2021)Resistance to artificial dayl…Photodegradation Kinetics of Alkyd Paints: The Influence of Varying Amounts of Inorganic Pigments on the Stability of the Synthetic Binder (2020)Photodegradation Kinetics of …Weathering behavior of cinnabar-based tempera paints upon natural and accelerated aging (2019)Weathering behavior of cinnab…Azo-pigments effect on UV degradation of contemporary art pictorial film: A FTIR-NMR combination study (2017)Azo-pigments effect on UV deg…Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments (2015)Study of the chemical composi…Understanding the (in)stability of semiconductor pigments by a thermodynamic approach (2014)Understanding the (in)stabili…Depth-Resolved Multilayer Pigment Identification in Paintings: Combined Use of Laser-Induced Breakdown Spectroscopy (LIBS) and Optical Coherence Tomography (OCT) (2013)Depth-Resolved Multilayer Pig…Effects of ageing on different binders for retouching and on some binder–pigment combinations used for restoration of wall paintings (2007)Effects of ageing on differen…Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Study of the influencing effe…The influence of lead ions on the drying of oils (2005)The influence of lead ions on…Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy (2004)Study of Aging in Oil Paintin…Analysis of drying oils used as binding media for objects of art by capillary electrophoresis with indirect UV and conductivity detection (2003)Analysis of drying oils used …The verisimilitude of verdigris: a review of the copper carboxylates (2001)The verisimilitude of verdigr…Matrix‐assisted laser desorption/ionization Fourier transform mass spectrometric analysis of oxygenated triglycerides and phosphatidylcholines in egg tempera paint dosimeters used for environmental monitoring of museum display conditions (2001)Matrix‐assisted laser desorpt…Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments (1999)Thin-Film Study on the Oxidat…Ancient Binding Media, Varnishes and Adhesives (1995)Ancient Binding Media, Varnis…The practice of tempera painting (1962)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)Clay and iron oxide pigments in the history of painting (2003)Organic Mass Spectrometry in Art and Archaeology (2009)Painting Materials: A Short Encyclopedia (2011)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)After the paint has dried: a review of testing techniques for studying the mechanical properties of artists’ paint (2021)Shrinkage and mechanical properties of drying oil paints (2022)The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Infrared Spectroscopy in Conservation Science (2000)A study of 18th century Coptic icons of Ibrahim Al-Nasekh using Raman microscopy and gas chromatography–mass spectrometry: Indigo as an organic pigment in Egyptian panel paintings (2012)Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes (2017)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of natural polysaccharides (plant gums) used as binding media for artistic and historic works by capillary zone electrophoresis (2005)Characterization of materials used in the execution of historic oil paintings by XRD, SEM-EDS, TGA and LIBS analysis (2008)Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)The Organic Chemistry of Museum Objects (1987)Laser Diagnostics of Painted Artworks: Laser-Induced Breakdown Spectroscopy in Pigment Identification (1997)Pigment Compendium (2008)Elemental imaging of heterogeneous inorganic archaeological samples by means of simultaneous laser induced breakdown spectroscopy and laser ablation inductively coupled plasma mass spectrometry measurements (2017)Depth-resolved analysis of historical painting model samples by means of laser-induced breakdown spectroscopy and handheld X-ray fluorescence (2018)Stratigraphic analysis of historical wooden samples from ancient bowed string instruments by laser induced breakdown spectroscopy (2020)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Interface Between Science and Conservation (2003)X-ray absorption investigations of copper resinate blackening in a XV century Italian painting (2008)Photochemical Origin of the Darkening of Copper Acetate and Resinate Pigments in Historical Paintings (2019)New insights into the deterioration of TiO2 based oil paints: the effects of illumination conditions and surface interactions (2022)National Gallery Technical Bulletin (1979)Long-Term Chemical and Physical Processes in Oil Paint Films (2005)An insight into the mechanical properties of selected commercial oil and alkyd paint films containing cobalt blue (2019)Oxidation and Cross-Linking in the Curing of Air-Drying Artists’ Oil Paints (2021)A GC-MS study on the deterioration of lipidic paint binders (2002)Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Analysis of organic colouring and binding components in colour layer of art works (2005)The concentration and origins of carboxylic acid groups in oil paint (2019)Cross-Sections and Chemical Analysis of Paint Samples (1956)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)Controlled UV laser cleaning of painted artworks: a systematic effect study on egg tempera paint samples (2003)The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis (2008)Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA) (2010)
this work references cited by second hop

References

  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited

Cited by

  • 2004Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy66 cited
  • 2005The influence of lead ions on the drying of oils64 cited
  • 2003Analysis of drying oils used as binding media for objects of art by capillary electrophoresis with indirect UV and conductivity detection61 cited
  • 2015Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments60 cited
  • 2001Matrix‐assisted laser desorption/ionization Fourier transform mass spectrometric analysis of oxygenated triglycerides and phosphatidylcholines in egg tempera paint dosimeters used for environmental monitoring of museum display conditions58 cited
  • 1995Ancient Binding Media, Varnishes and Adhesives57 cited
  • 1999Thin-Film Study on the Oxidation of Linseed Oil in the Presence of Selected Copper Pigments50 cited
  • 2013Depth-Resolved Multilayer Pigment Identification in Paintings: Combined Use of Laser-Induced Breakdown Spectroscopy (LIBS) and Optical Coherence Tomography (OCT)44 cited
  • 2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
  • 2017Azo-pigments effect on UV degradation of contemporary art pictorial film: A FTIR-NMR combination study39 cited
  • 2019Weathering behavior of cinnabar-based tempera paints upon natural and accelerated aging

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

37 cited
  • 2021Resistance to artificial daylight of paints used in urban artworks. Influence of paint composition and substrate37 cited
  • 2020Photodegradation Kinetics of Alkyd Paints: The Influence of Varying Amounts of Inorganic Pigments on the Stability of the Synthetic Binder36 cited
  • 2014Understanding the (in)stability of semiconductor pigments by a thermodynamic approach31 cited
  • 2001The verisimilitude of verdigris: a review of the copper carboxylates29 cited
  • 2007Effects of ageing on different binders for retouching and on some binder–pigment combinations used for restoration of wall paintings27 cited