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In 50 B.C. Cicero writes to Atticus as follows (Att. 7.2.1): ‘Brundisium uenimus VII Kalend. Decembr. usi tua felicitate nauigandi; ita belle nobisflauit ab Epiro lenissimus Onchesmites. hunc si cui boles pro tuo uendito.’ The antonomasia, the euphonic sibilance, and the mannered rhythm (the five-word line with fourth foot homodyne; the spondaic fifth foot) are all prominent in Cicero's hexameter. The line is a humorously concocted example of affected and Grecizing narrative. But it is also a line which, Atticus is to suppose, would value; presumably therefore it is meant to hit off characteristics of their style. Cicero must in fact beparodyingwhat he regards as atypical‘neoteric’ line, and the significance of this simple fact has perhaps been underestimated.
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