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Women Reading Women Writing: Self-Invention in Paula Gunn Allen, Gloria Anzaldua, and Audre Lorde.

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Caribbean and African Literature and Culture Autobiographical and Biographical Writing Postcolonial and Cultural Literary Studies

Abstract

Acknowledgments 1. Threshold Identities 2. Mythic Ways of Knowing? 3. Transformational Identity Politics: Seeing Through the Eyes of the Other 4. Back to the Mother? Paula Gunn Allen's Origin Myths 5. Writing the Body/Writing the Soul: Gloria Anzaldua's Mestizaje Ecriture 6. Inscribing Black, Become...Afrekete: Audre Lorde's Interactional Self-Naming 7. Crossing Over: Toward a Womanist Genealogy Notes Works Cited Index

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2016A Post/Decolonial View of Race and Identity Through the Narratives of U.S. International Students from the Global South 2012Speculative Realism, Visionary Pragmatism, and Poet-Shamanic Aesthetics in Gloria Anzaldúa—and Beyond 2004‘Perpetual liminality’: Re‐readings of subjectivity and diversity in clinical social work classrooms 2013Connecting Intersectionality and Nepantla to Resist Oppressions: A Feminist Fiction Approach 2002Audre Lorde: Textual Authority and the Embodied Self 2007Overlapping and Interlocking Frames for Humanities Literary Studies: Assia Djebar, Tsitsi Dangarembga, Gloria Anzaldúa 1999Black Women Writers 2001Old Magic and New Fury: The Theaphany of Afrekete in Audre Lorde's ?Tar Beach?

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