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Popular Music as Local Culture: An Ethnographic Study of the AlbumMatha Wa!by the Band Paramana Strangers from Papua New Guinea
16 references·1 citing·39 second hop
Popular Music as Local Culture: An Ethnographic Study of the AlbumMatha Wa!by the Band Paramana Strangers from Papua New Guinea (2013)Popular Music as Local Culture: An Ethnog…Creating Methodological Space: A Literature Review of Kaupapa Maori Research (2021)Creating Methodological Space…Soundscapes: Toward a Sounded Anthropology (2010)Soundscapes: Toward a Sounded…Journal of Folklore Research (2009)Journal of Folklore ResearchThe ocean in us (2008)The ocean in usShadows in the Field (2008)Shadows in the FieldShadows in the field : new perspectives for fieldwork in ethnomusicology (2008)Shadows in the field : new pe…An exploration of kaupapa Maori research, its principles, processes and applications (2006)An exploration of kaupapa Mao…On Analogies: Rethinking the Pacific in a Global Context (2005)On Analogies: Rethinking the …Kaupapa Maori: Locating Indigenous Ontology, Epistemology and Methodology in the Academy (2001)Kaupapa Maori: Locating Indig…"How We Know": Kwara'ae Rural Villagers Doing Indigenous Epistemology (2001)"How We Know": Kwara'ae Rural…ON THE THEORY AND POLITICS OF CULTURAL CONSTRUCTION IN THE PACIFIC (1992)ON THE THEORY AND POLITICS OF…Natives and Anthropologists: The Colonial Struggle (1991)Natives and Anthropologists: …Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Sound and sentiment: birds, w…Creating the Past: Custom and Identity in the Contemporary Pacific (1989)Creating the Past: Custom and…Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove (1988)Aesthetics as Iconicity of St…ANTHROPOLOGY AND PACIFIC ISLANDERS1 (1975)ANTHROPOLOGY AND PACIFIC ISLA…Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre (2019)Sustainability and Indigenous…Defining tradition: variations on the Hawaiian identity (1983)Tradition, Genuine or Spurious (1984)Under Western Eyes: Feminist Scholarship and Colonial Discourses (1984)Making National Cultures In The Global Ecumene (1991)The Politics of Discursive Authority in Research on the “Invention of Tradition” (1996)Rethinking the role of Indigenous knowledges in the academy (2000)The development of kaupapa Maori : theory and praxis (1997)Masking Subversion: Neocolonial Embeddedness in Anthropological Accounts of Indigenous Management (2004)Deepening, broadening and re-asserting a postcolonial interrogative space in organization studies (2011)Talanoaas empathic apprenticeship (2014)The Predicament of Culture (1988)How Societies Remember (1989)Translation, Value, and Space: Theorizing an Ethnographic and Engaged Environmental Anthropology (2005)Reflections on use of participatory research for disaster risk reduction (2008)Framework for integrating indigenous and scientific knowledge for disaster risk reduction (2009)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Writing Culture (1986)We have never been modern (1994)We Have Never Been Modern (1994)The Reorganization of the Sensory World (2010)Music, Language, and Texts: Sound and Semiotic Ethnography (2012)Sound Studies Meets Deaf Studies (2012)Decolonizing Methodologies (2003)Manifesto for a post‐colonial international business and management studies (2007)Indigenous Positioning in Health Research: The importance of Kaupapa Māori theory-informed practice (2016)Decolonizing Research Paradigms in the Context of Settler Colonialism: An Unsettling, Mutual, and Collaborative Effort (2019)Wellspring: On the Myth and Source of Culture (1976)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Doing anthropology in sound (2004)Putting Hierarchy in Its Place (1988)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The Cultural Anthropology of Time: A Critical Essay (1992)The Past in the Future: History and the Politics of Identity (1992)Indigenous Articulations (2001)Personal narratives: Perspectives on theory and research (1989)The risk of ‘going observationalist’: negotiating the hidden dilemmas of being an insider participant observer (2002)Developing qualitative research questions: a reflective process (2009)Implementation framework for chronic disease intervention effectiveness in Māori and other indigenous communities (2017)A Multi-Perspective Reflection on How Indigenous Knowledge and Related Ideas Can Improve Science Education for Sustainability (2020)
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References

  • 1990Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression789 cited
  • 2009Journal of Folklore Research432 cited
  • 1988Aesthetics as Iconicity of Style, or 'Lift-up-over Sounding': Getting into the Kaluli Groove381 cited
  • 2010Soundscapes: Toward a Sounded Anthropology374 cited
  • 1989Creating the Past: Custom and Identity in the Contemporary Pacific369 cited
  • 2006An exploration of kaupapa Maori research, its principles, processes and applications366 cited
  • 2001"How We Know": Kwara'ae Rural Villagers Doing Indigenous Epistemology279 cited
  • 2001Kaupapa Maori: Locating Indigenous Ontology, Epistemology and Methodology in the Academy265 cited
  • 1991Natives and Anthropologists: The Colonial Struggle210 cited
  • 2021Creating Methodological Space: A Literature Review of Kaupapa Maori Research207 cited
  • 2008Shadows in the field : new perspectives for fieldwork in ethnomusicology186 cited
  • 1992ON THE THEORY AND POLITICS OF CULTURAL CONSTRUCTION IN THE PACIFIC150 cited
  • 2005On Analogies: Rethinking the Pacific in a Global Context123 cited
  • 2008Shadows in the Field109 cited
  • 2008The ocean in us100 cited

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  • 1975ANTHROPOLOGY AND PACIFIC ISLANDERS178 cited
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    • 2019Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre6 cited