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Written historical sources and art-historical interpretation: The case of the church of the Virgin at Toplica
16 references·0 citing·25 second hop
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References

  • 1995Church and Society in Byzantium under the Comneni, 1081–1261396 cited
  • 1995Monks and Laymen in Byzantium, 843–1118380 cited
  • 1963Antique Statuary and the Byzantine Beholder339 cited
  • 1972The Art of the Byzantine Empire 312-1453: Sources and Documents289 cited
  • 1988Private Religious Foundations in the Byzantine Empire260 cited
  • 1999Master builders of Byzantium172 cited
  • 1999The Aesthetics of Sacred Space: Narrative, Metaphor, and Motion in "Ekphraseis" of Church Buildings159 cited
  • 2003"Local" Saints, Art, and Regional Identity in the Orthodox World after the Fourth Crusade120 cited
  • 1991Byzantine Hagiographical Texts as Sources on Art116 cited
  • 2024Early Christian and Byzantine Architecture104 cited
  • 2001Architecture, Art and Komnenian Ideology at the Pantokrator Monastery92 cited
  • 1992Sacred Space under Erasure in Ancient Synagogues and Early Churches65 cited
  • 2001Paul Stephenson, Byzantium’s Balkan frontier. Apolitical study of the northern Balkans, 900-1204. Cambridge: CUP, (2000. Pp. xii + 353.57 cited
  • 1983The Domed Church as Microcosm: Literary Roots of An Architectural Symbol44 cited
  • 2004Senses and sensibility in Byzantium

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  • 1947The Role of the Byzantine Church in Medieval Hungary15 cited
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