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XRF of cultural heritage materials: Round-robin IV—paint on canvas
7 references·2 citing·31 second hop
XRF of cultural heritage materials: Round-robin IV—paint on canvas (2009)XRF of cultural heritage materials: Round…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Development of confocal X-ray fluorescence (XRF) microscopy at the Cornell high energy synchrotron source (2006)Development of confocal X-ray…Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Artists' Pigments: A Handbook…Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook…Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1 (1989)Artists' Pigments. A Handbook…The Craftsman's Handbook (1933)The Craftsman's HandbookAnalyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging (2017)Analyzing the Heterogeneous H…Coupling a wavelength dispersive spectrometer with a synchrotron-based X-ray microscope: A winning combination for micro-X-ray fluorescence and micro-XANES analyses of complex artistic materials (2011)Coupling a wavelength dispers…Modern analytical methods in art and archaeology (2000)A new 3D micro X-ray fluorescence analysis set-up – First archaeometric applications (2003)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Cultural heritage and archaeology materials studied by synchrotron spectroscopy and imaging (2011)High-Definition X-ray Fluorescence Elemental Mapping of Paintings (2012)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis (2006)X‐Ray Absorption Spectroscopy and Cultural Heritage: Highlights and Perspectives (2016)Infrared Spectroscopy in Conservation Science (2000)The Lycurgus Cup — A Roman nanotechnology (2007)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry (2018)Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos (2019)Multiband Photogrammetry and Hybrid Image Analysis for the Investigation of a Wall Painting by Paolo de San Leocadio and Francesco Pagano in the Cathedral of Valencia (2023)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)Identification of pigments by multispectral imaging; a flowchart method (2014)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)The use of microspectrofluorimetry for the characterization of lake pigments (2007)Chromatic alterations of red lead pigments in artworks: a review (2008)Identification of anthraquinone markers for distinguishing Rubia species in madder-dyed textiles by HPLC (2012)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach (2011)Strontium, a new marker of the origin of gypsum in cultural heritage? (2013)ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products (2015)
this work references cited by second hop

References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 1995Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2455 cited
  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 1999Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3144 cited
  • 2006Development of confocal X-ray fluorescence (XRF) microscopy at the Cornell high energy synchrotron source118 cited
  • 1989Artists' Pigments. A Handbook of Their History and Characteristics, Vol. 1105 cited
  • 1933The Craftsman's Handbook43 cited

Cited by

  • 2011Coupling a wavelength dispersive spectrometer with a synchrotron-based X-ray microscope: A winning combination for micro-X-ray fluorescence and micro-XANES analyses of complex artistic materials24 cited
  • 2017Analyzing the Heterogeneous Hierarchy of Cultural Heritage Materials: Analytical Imaging20 cited

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