Article1987

A paradigm for performance studies

121 citations0/0 files storedQuarterly Journal of Speech

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Rhetoric and Communication Studies Theatre and Performance Studies Arts and Performance Studies

Abstract

This article (1) surveys research exemplars of performance studies by tracing their epistemological claims and methodological assertions through discussions of text, event, performer, and audience and (2) claims a paradigmatic relationship between oral interpretation and performance studies.

Citations in this library

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References

1956The Presentation of Self in Everyday Life.1973Steps to an Ecology of Mind 1976The Ritual Process: Structure and Anti-Structure 1969A Grammar of Motives 1975Pragmatics of Human Communication 1969Pragmatics of Human Communication: A Study of Interactional Patterns, Pathologies, and Paradoxes.1975Dramas, Fields, and Metaphors: Symbolic Action in Human Society 1979The Act of Reading: A Theory of Aesthetic Response

Cited by

1997The politics of personal narrative methodology 2011Forum Theatre for Bystanders 1988Conversational Performance and the Performance of Conversation 2016The Work and ‘Architecture of Listening’: Addressing Gaps in Organization-Public Communication 1993Performance studies as women's work: Historical sights/sites/citations from the margin 2006Assessing the Impact of Augusto Boal's “Proactive Performance”: An Embodied Approach for Cultivating Prosocial Responses to Sexual Assault 2010The interACT model: Considering rape prevention from a performance activism and social justice perspective 1988Performance in a social context: Date rape versus date right

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