SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Cupid's Pencil of Light: Julia Margaret Cameron and the Maternalization of Photography
0 references·5 citing·17 second hop
Cupid's Pencil of Light: Julia Margaret Cameron and the Maternalization of Photography (1996)Cupid's Pencil of Light: Julia Margaret C…Caught in the Act: Photography on the Victorian Stage (2016)Caught in the Act: Photograph…The Silent Partner: Agency and Absence in Julia Margaret Cameron's Collaborations (2012)The Silent Partner: Agency an…Re‐storying and visualizing the changing entrepreneurial identities of Bill Gates and Richard Branson (2010)Re‐storying and visualizing t…The Mountain and the Mole-hill: Julia Margaret Cameron’s Allegories (2007)The Mountain and the Mole-hil…"A Poet Never Sees a Ghost": Photography and Trance in Tennyson's Enoch Arden and Julia Margaret Cameron's Photography (2003)"A Poet Never Sees a Ghost": …The Origin of German Tragic Drama (1978)Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism (1984)Camera Lucida: Reflections on Photography (2001)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)15. The Death of the Author (2017)Capitalism, Socialism and Democracy (1997)The Theory of Economic Development (2003)Emotions, performance and entrepreneurship in the context of fringe theatre (2013)Mind, Self, and Society (2015)The Material and Visual Basis of Institutions (2017)A Critical Plot Twist: Changing Characters and Foreshadowing the Future of Organizational Storytelling (2019)Speculum of the other woman (1985)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Burning with Desire: The Conception of Photography (1999)Unmarked: The Politics of Performance (1994)Regarding the pain of others (2003)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010Re‐storying and visualizing the changing entrepreneurial identities of Bill Gates and Richard Branson56 cited
  • 2016Caught in the Act: Photography on the Victorian Stage16 cited
  • 2003"A Poet Never Sees a Ghost": Photography and Trance in Tennyson's Enoch Arden and Julia Margaret Cameron's Photography8 cited
  • 2007The Mountain and the Mole-hill: Julia Margaret Cameron’s Allegories2 cited
  • 2012The Silent Partner: Agency and Absence in Julia Margaret Cameron's Collaborations2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work