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Cinema and Suicide: Necromanticism, Dead-already-ness, and the Logic of the Vanishing Point
12 references·2 citing·30 second hop
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this work references cited by second hop

References

  • 2000A Critique of Postcolonial Reason: Toward a History of the Vanishing Present2,289 cited
  • 1400Marxism and the Interpretation of Culture2,085 cited
  • 1994Over Her Dead Body: Death, Femininity and the Aesthetic1,016 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 2006Specters of the Atlantic: finance capital, slavery, and the philosophy of history695 cited
  • 2001An Accented Cinema : Exilic and Diasporic Filmmaking476 cited
  • 1983Colonialism, Racism and Representation142 cited
  • 2002Political film: the dialectics of third cinema122 cited
  • 1997Nigerian video films111 cited
  • 2007Spectatorship: The Power of Looking On107 cited
  • 2014Death and the moving image : ideology, iconography and I47 cited
  • 2010The World That Is Known: An Interview with Michael Haneke29 cited

Cited by

  • 2017Dying in Full Detail33 cited
  • 2015Demythologizing the Palestinian in Hany Abu-Assad’sOmarandParadise Now7 cited

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